Poor Mrs. Jakes! Seven thousand miles from the streets of Clapham Junction, an exile from the cheeriness and security of its little decent houses, she held yet with a frail hand to the skirts of its beatitude. In the drawer in her bedroom which also contained Jakes' dress suit, she kept in tissue paper and sincere regard a morocco-bound mausoleum of memory—an album. Only two or three times in Mr. Samson's experience—and he had been an inmate of the Sanatorium for four years—had she brought it forth. Once was on the night before young Shaw died, and when no soothing would hold him at peace in his bed, he had lain still to look through those yellowing portraits and hear Mrs. Jakes tell how this one was doing very well as a job-master and that one had turned Papist. But Margaret Harding had seen it. Mrs. Jakes had sat on her bed, quelling Fat Mary with her eye, and seen her unpack her clothes, the frocks new from dressmakers and tailors in London, the hats of only a month ago. Margaret had been aided in buying them by a philosophic aunt who had recently given up vegetarianism on the advice of her hairdresser. "My child, play light," had been the counsel of this relative. "Don't surprise the natives; they never like it. No frills; a vigorous vicarage style is what you want." And she had brought considerable powers of personality and vocabulary to bear on Margaret's choice, so that in the result there predominated a certain austerity of raiment which Margaret found unexciting. But Mrs. Jakes received them as canons of fashion, screwing up her mouth and nodding gravely as she mastered saliencies.
"I can't quite imagine them in these styles," she said; "the people in the Park, I mean. I suppose it's this golf that's done it."
In return for the exhibition, she had shown Margaret her album. It had many thick pages with beveled gilt edges, each framing from one to six portraits or groups, and she had led her hearer through the lot of them, from the first to the last. They sat side by side on the bed in Mrs. Jakes' room, and the album lay open on their laps, and Mrs. Jakes' finger traveled like a pointer among the pictures while she elucidated them in a voice of quiet pride. These pale and fading faces, fixed to the order of the photographer in more than human smiles, with sleek and decorative hair and a show of clothes so patently reserved for Sundays, were neither pale nor faded for her. She knew the life behind them, their passions and their strength, and spoke of them as she might have spoken had they been waiting in the next room.
"That 's my sister," she said, her finger pausing. "Two years older than me, but she never married. And what she used to suffer from indigestion, words can't tell. And here 's my Aunt Martha—yes, she died seven years ago. My mother's sister, you know. My mother was a Penfold—one of the Penfolds of Putney. You 've heard of them? Ah, and here 's Bill Penfold, my cousin Bill. Poor Bill, he didn't do well, ever. He had a fancy for me, once, or so they said, but my father never could bear him. No harm, you know, no real harm, but larky—sort of. This one? Oh, that 's nobody—a Mr. Wrench, who used to collect for my father; he had a hair-lip. I did n't like him."
The thick page turned, and showed on the other side a single cabinet portrait of a thin woman, with her head a little on one side.
"My mother," said Mrs. Jakes, and shifted the album that Margaret might see better.
"She was a Penfold of Putney," she said, gently. "I think she shows it, you know. A bit quiet and refined, especially about the eyes. Don't you think so?"
It was the picture of the wife of a robust and hardy man, Margaret thought, and as for the eyes and their slight droop, the touch of listlessness which bespeaks an acquired habit of patience and self-suppression, she had only to look up and they returned her look from the face of Mrs. Jakes.
"And this?" she asked.
Mrs. Jakes smiled quite brightly; the photograph was one of a baby.