"'Take it then,' said the old man, and when the boy had emptied the pockets he bade him throw the money into the stream.
"Then they mounted and rode away, but not homewards. They rode across the stream to cross it twenty miles down, that their spoor should not betray them.
"And as Koos told me, while his eyes glazed, he turned and looked back, and there he saw Christina with the Englishman's head on her lap, looking after them with a face that set him trembling."
As the old lady concluded I passed an arm round Katje.
A GOOD END
One of the most awe-inspiring traits of the Vrouw Grobelaar was her familiarity with the subject of death. She had a discriminating taste in corpses, and remembered of several old friends only the figure they cut when the life was gone from them. She was as opinionative in this regard as in all others; she had her likes and dislikes, and it is my firm belief to this day that she never rose to such heights of conversational greatness as when attending a death-bed. It is on record that more than one invalid was relieved of all desire to live after being prepared for dissolution by the Vrouw Grobelaar.
On the evening following the burial of Katrina Potgieter's baby, which died of drinking water after a surfeit of dried peaches, the old lady was in great feather. Never were her reminiscences so ghoulish and terrifying, and never did she hurl her weighty moralities over so wide a scope. Eventually she lapsed into criticism, and announced that the art of dying effectively was little practiced nowadays.
"I hate to see a person slink out of life," she said. "Give me a man or a woman that knows all clearly to the last, and gives other people an opportunity to see some little way into eternity. After all, there's nothing more in dying than changing the style of one's clothes, and even the most paltry folk have some consideration as corpses. I can't see what there is to be afraid of."
"I don't think that," observed Katje. "Even if it wasn't that I was soon to be dead and buried, the whole business seems horrible. Fancy all the people crowding round to look at you and cry, while they talked as if you were already dead. When Polly Honiball was dying, old Vrouw Meyers asked her if she could see anything yet. Ugh!"
The old lady shook her head. "That's not the way to look at it," she replied. "A good death is the sign of a good life; or anyhow, that's how people judge it. It's as well to give no room for talk afterwards, Katje. And as for the mere death, no good Christian fears that. Why, I have known a man seek death!"