The spectators held their breath. Was this the end? Rivoli had him! Could there be any hope for him?

There could. This was "rough-housin'"--and at "rough-housin'" the Bucking Bronco had had few equals. He suddenly thought of one of the fights of his life--at 'Frisco, with the bucko mate of a hell-ship on which he had made a trip as fo'c's'le-hand, from the Klondyke. The mate had done his best to kill him at sea, and the Bucking Bronco had "laid for him" ashore as the mate quitted the ship. It had been "some" fight and the mate had collared his leg in just the same way. He would try the method that had then been successful.... He seized the Italian's neck with both huge hands, and, with all his strength, started to throttle him--his thumbs on the back of his opponent's neck, his fingers crushing relentlessly into his throat. Of course Rivoli would throw him--that was to be expected--but that would not free Rivoli's throat. Not by any manner of means. With a fair and square two-handed hold on the skunk's throat, it would be no small thing to get that throat free again while there was any life left in its proprietor....

With a heave and a thrust, the Italian threw the Bucking Bronco heavily and fell heavily upon him. The latter tightened his grip and saw his enemy going black in the face.... Swiftly Rivoli changed his hold. While keeping one arm round the American's leg, at the knee, he seized his foot with the other hand and pressed it backward with all his gigantic strength. As the leg bent back, he pressed his other arm more tightly into the back of the knee. In a moment the leg must snap like a carrot, and the American knew it--and also that he would be lame for life if his knee-joint were thus rent asunder. It was useless to hope that Rivoli would suffocate before the leg broke... Nor would a dead Rivoli be a sufficient compensation for perpetual lameness. Never to walk nor ride nor fight.... A lame husband for Carmelita.... Loosing his hold on his antagonist's throat, he punched him a paralysing blow on the muscle of the arm that was bending his leg back, and then seized the same arm by the wrist with both hands, and freed his foot.... A deadlock.... They glared into each other's eyes, mutually impotent, and then, by tacit mutual consent, released holds, rose, and confronted each other afresh.

So far, honours were decidedly with the American, and a loud spontaneous cheer arose from the spectators. "Vive le Bouckaing Bronceau!" was the general sentiment.

Carmelita sat like a statue on her high chair--lifeless save for her terrible eyes. Though her lips did not move, she prayed with all the fervour of her ardent nature.

Breathing heavily, the antagonists faced each other like a pair of half-crouching tigers.... Suddenly Rivoli kicked. Not the horizontal kick of la savate in which the leg is drawn up to the chest and the foot shot out sideways and parallel with the floor, so that the sole strikes the object flatly--but in the ordinary manner, the foot rising from the ground, to strike with the toe. The Bucking Bronco raised his right foot and crossed his right leg over his left, so that the Italian's rising shin met his own while the rising foot met nothing at all. Had the kick been delivered fully, the leg would have broken as the shin was suddenly arrested while the foot met nothing. (This is the deadliest defence there is against a kicker, other than a savatist.) But so fine was the poise and skill of the professional acrobat, that, in full flight, he arrested the kick ere it struck the parrying leg with full violence. He did not escape scot-free from this venture, however, for, even as he raised his leg in defence, the Bucking Bronco shot forth his right hand with one of the terrible punches for which Rivoli was beginning to entertain a wholesome respect. He saved his leg, but received a blow on the right eye which he knew must, before long, cause it to close completely. He saw red, lost his temper and became as an infuriated bull. As he had done under like circumstances with the Légionnaire Rupert, he rushed at his opponent with a roar, casting aside wisdom and prudence in the madness of his desire to get his enemy in his arms. He expected to receive a blow in the face as he sprang, and was prepared to dodge it by averting his head. With an agility surprising in so big a man, the Bucking Bronco ducked below the Italian's outstretched arms and, covering his face with his bent left arm, drove at his antagonist's "mark" with a blow like the kick of a horse. The gasping groan with which the wind was driven out of Rivoli's body was music to the Bucking Bronco's ears. He knew that, for some seconds, his foe, be he the strongest man alive, was at his mercy. Springing erect he punched with left and right at his doubled-up and gasping enemy, his arms working like piston-rods and his fists falling like sledge-hammers. The cheering became continuous as Rivoli shrank and staggered before that rain of terrific blows. Suddenly he recovered, drew a deep breath and flung his arms fairly round the Bucking Bronco's waist.

Corpo di Bacco! He had got him!...

Clasping his hands behind the American, he settled his head comfortably down into that wily man's neck, and bided his time. He had got him.... He would rest and wait until his breathing was more normal. He would then tire the scelerato down ... tire him down ... and then ...

This was his programme, but it was not that of the Bucking Bronco, or not in its entirety. He realised that "Loojey had the bulge on him." For the moment it was "Loojey's night ter howl." He would take a rest and permit Loojey to support him, also he would feign exhaustion and distress. It was a pity that it was his right arm that was imprisoned in the bear-hug of the wrestler. However, nothing much could happen so long as he kept his back convex.

Seconds, which seemed like long minutes, passed.