It was currently reported that the only excuse for comparatively amicable relations between Wantage and O'Deigh, who had written this comedy, was the fact of there being an ocean between them. Even at that Wantage found it difficult to suffer the many praises he heard bestowed, not upon himself but O'Deigh. He had burst out in spleen at this adulation, once, in the hearing of an intimate.
"My dear Arthur," said the other, "you strike me as very ungrateful. For my part, when I see your theatre crowded nightly, when I see how your exchequer fills steadily, it occurs to me that you should go down on your knees every night, and thank God that O'Deigh has done you such a stunning play."
"Oh," was Wantage's grudging answer, "I do, you know I do. But I also say: Oh, God, why did it have to be by O'Deigh?"
The secret of his hatred for O'Deigh was the secret of his hatred for all dramatists. He was a curious compound of egoism, childishness and shrewdness. Part of his shrewdness—or was it his childishness?—showed in his aversion to paying authors' royalties. He always tried to re-write all the plays he accepted; if the playwrights objected there was sure to be a row of some sort. When he could find no writers willing to make him a present of plays, for the sake, as he put it, of having it done by as eminent an actor as himself, and in so beautiful a theatre, he was in the habit of announcing that he would forsake the theatre, and turn critic. He pretended that the world—the public, the press, even the minor players—were in league against him. There was a conspiracy to drive him from the theatre; the riff-raff resented that a man of genius should be so successful. They lied about him; he was sure they lied; for stories, of preposterous import, came to him; he vowed he never read the newspapers—never. As for London—oh, he could spin you the most fascinating yarn of the cabal that had dampened his London triumph. He mentioned, with a world of meaning in his tone, the name of the other great player of the time; he insinuated that to have him, Wantage, succeed in London, had not been to that other player's mind; so the wires had been pulled; oh, it was all very well done. He laughed at the reminiscence,—a brave, bluff laugh, that told you he could afford to let such petty jealousies amuse him.
The riddle of Arthur Wantage's character had never yet been read. There were those who averred he was never doing anything but acting, not in the most intimate moments of his life; some called him a keen moneymaker, retaining the mummer's pose off the stage for the mere effect of it on the press and the public. What the man's really honest, unrehearsed thoughts were,—or if he ever had such—no man could say. To many earnest students of life this puzzle had presented itself. It began to present itself, now, to Orson Vane.
This, surely, was a secret worth the reading. Here were, so to say, two masks to lift at once. This man, Arthur Wantage, who came out before the curtain now as this, now as that, character of fancy or history, what shred of vital, individual personality had he retained through all these changings? The enthusiasm of discovery, of adventure came upon Vane with a sharpness that he had not felt since the day he had mocked the futility of human science because it could not unlock other men's brains.
The horseshoe-shaped space that held the audience glittered with babble and beauty as Orson Vane took his seat in the stalls. The presence of the smart set gave the theatre a very garland of charm, of grace, and of beauty's bud and blossom. The stalls were radiant, and full of polite chatter. The boxes wore an air of dignified twilight,—a twilight of goddesses. The least garish of the goddesses, yet the one holding the subtlest sway, was Jeanette Vanlief. She sat, in the shadow of an upper box, with her father and Luke Moncreith. On her pale face the veins showed, now and then; the flush of rose came to it like a surprise—like the birth of a new world. She radiated no obvious, blatant fascination. Her hands slim and white; her voice firm and low; her eyes of a hue like that of bronze, streaked like the tiger-lilies; her profile sharp as a cameo's; the nose, with its finely-chiseled nostrils, curved in Roman mode; the mouth, thin and of the faintest possible red, slightly drooping. And then, her hair! It held, again, a spray of lilies of the valley; the artificial lights discovered in the waves and the curls of it the most unexpected shades, the most mercurial tints. The slight touch of melancholy that hovered over her merely enhanced her charm. Moncreith told himself that he would go to the uttermost ends of evil to win this woman. He had come, the afternoon of that day, through the most dangerous stream in the world, the stream of loveliness that flows over certain portions of the town at certain fashionable hours. It is a stream the eddies of which are of lace and silk; its pools are the blue of eye and the rose of mouth; its cataracts are skirts that swirl and whisper and sing of ivory outlines and velvet shadows. Yet, as he looked at Jeannette Vanlief, all that fascinating, dangerous stream lost its enticement for him; he saw her as a dream too high for comparison with the mere earthiness of the town. He felt, with a grim resolution, that nothing human should come between him and Jeannette.
Orson Vane, from his chair, paid scant attention to his fellow spectators. He was intent upon the dish that O'Deigh and Wantage had prepared for his delectation. He felt a delicious interest in every line, every situation. He had made up his mind that he would go to the root of the mystery that men called Arthur Wantage. Whether that mask concealed a real, high intelligence, or a mere, cunning, monkeylike facility in imitation—his was to be the solution of that question. Wrapped up in that thought he never so much as glanced toward the box where his friends sat.
At the end of the first act Vane strolled out into the lobby. He nodded hither and thither, but he felt no desire for nearer converse. A hand on his shoulder brought him face to face with Professor Vanlief. He was asked to come up to the box. He listened, gravely, to the Professor's words, and thanked him. So Moncreith was smitten? He smiled in a kindly way; he understood, now, the many brusqueries of his friend. That day, long ago, when he had been so inexplicable in the little bookshop; the many other occasions, since then, when Luke had been rude and bitter. A man in love was never to be reckoned on. He wished Luke all the luck in the world. It struck him but faintly that he himself had once longed for that sweet daughter of Augustus Vanlief's; he told himself that it was a dream he must put away. He was a mariner bent on many deep-sea voyages and many hazards of fate; it would be unfair to ask any woman to share in any such life. His life would be devoted to furthering the Professor's discoveries; he meant to be an adventurer into the regions of the human soul; it was a land whither none could follow.
Perhaps, if he had seen Jeannette, he might have felt no such resignation. His mood was so tense in its devotion to the puzzle presented by the player, Wantage, that the news brought him by Vanlief did not suffice to rouse him. He had a field of his own; that other one he was content to leave to Moncreith.