A little before the end of that performance of "Voltaire," Orson Vane made his way to Arthur Wantage's dressing-room. They had, in their character of men in some position of eminence in different phases of the town's life, a slight acquaintance. They met, now and then, at the Mummers' Club. Vane's position put him above possibility of affront by Wantage in even the most arrogant and mannerless of the latter's moods.
Vane's invitation to a little supper, a little chat, and a little smoke, just for the duet of them, brought forth Wantage's most winning smile of acquiescence.
"Delighted, dear chap," he vowed. He could be, when he chose, the most winning of mortals. He was, during the drive to Vane's house, an admirable companion. He told stories, he made polite rejoinders, he was all glitter and graciousness. But it was when he was seated to an appetizing little supper that he became most splendid.
"My dear Vane," he said, lifting a glass to the light, "you should write me a play. I am sure you could do it. These fellows who are in the mere business of it,—well, they are really impossible. They are so vulgar, so dreadful to do business with. I hate business, I am a child in such affairs; everyone cheats me. I mean to have none but gentlemen on my business staff next season. The others grate on me, Vane, they grate. And if I could only gather a company of actors who were also gentlemen—Oh, I assure you, one cannot believe what things I endure. The stupidity of actors!" He pronounced the word as if it were accented on the last syllable. He raised his eyes to heaven as he faltered in description of the stupidities he had to contend with.
"Write a play?" said Orson, "I fear that would be out of my line. I merely live, you know; I do not describe."
"Oh, I think you would be just the man. You would give me a play that society would like. You would make no mistakes of taste. And think, my dear fellow, just think of the prestige my performance would give you. It would be the making of you. You would be launched. You would need no other recommendation. When you approach any of these manager fellows all you have to do is to say, 'Wantage is doing a play of mine.' That is a hallmark; it means success for a young man."
"Perhaps. But I have no ambitions in that way. How do you like my Bonnheimer?"
"H'm—not bad, Vane, not bad. But you should taste my St. Innesse. It is a '74. I got it from the cellars of the Duke of Arran. You know Merrill, the wine-merchant on Broadway? Shrewd fellow! Always keeps me in mind; whenever he sees a sale of a good cellar on the other side, he puts in a bid; knows he can always depend on Wantage taking the bouquet of it off his hands. You must take dinner with me some night, and try that St. Innesse. Ex-President Richards told me, the other evening, that it was the mellowest vintage he had tasted in years. You know Richards? Oh, you should, you should!"
Vane listened, quietly amused. The vanity, the egoism of this player were so obvious, so transparent, so blatant. He wondered, more than ever, what was under that mask of arrogance and conceit. The perfect frankness of the conceit made it almost admirable.
"You know," Wantage remarked presently, "I'm really playing truant, taking supper with you. I ought to be studying."