In the centre of an amphitheatre, formed by these mountains, surrounded by wood, stood the Castella di Laurentini, whose grey turrets and time-worn battlements overtopped the giants of the forest.
Into this gloomy mansion was Verezzi conducted by Matilda. The only sentiment he felt was surprise at the prolongation of his existence. As he advanced, supported by Matilda and a domestic, into the castella, Matilda’s soul, engrossed by one idea, confused by its own unquenchable passions, felt not that ecstatic, that calm and serene delight, only experienced by the innocent, and which is excited by a return to the place where we have spent our days of infancy.
No—she felt not this; the only pleasurable emotion which her return to this remote castella afforded was the hope that, disengaged from the tumult of, and proximity to the world, she might be the less interrupted in the prosecution of her madly-planned schemes.
Though Verezzi’s melancholy seemed rather increased than diminished by the journey, yet his health was visibly improved by the progressive change of air and variation of scenery, which must, at times, momentarily alleviate the most deep-rooted grief; yet, again in a fixed spot—again left to solitude and his own torturing reflections, Verezzi’s mind returned to his lost, his still adored Julia. He thought of her ever; unconsciously he spoke of her; and, by his rapturous exclamations, sometimes almost drove Matilda to desperation.
Several days thus passed away. Matilda’s passion, which, mellowed by time, and diverted by the variety of objects, and the hurry of the journey, had relaxed its violence, now, like a stream pent up, burst all bounds.
But one evening, maddened by the tender protestations of eternal fidelity to Julia’s memory which Verezzi uttered, her brain was almost turned.
Her tumultuous soul, agitated by contending emotions, flashed from her eyes. Unable to disguise the extreme violence of her sensations, in an ecstasy of despairing love, she rushed from the apartment where she had left Verezzi, and, unaccompanied, wandered into the forest, to calm her emotions, and concert some better plans of revenge; for, in Verezzi’s presence, she scarcely dared to think.
Her infuriated soul burned with fiercest revenge: she wandered into the trackless forest, and, conscious that she was unobserved, gave vent to her feelings in wild exclamations.
“Oh, Julia! hated Julia! words are not able to express my detestation of thee. Thou hast destroyed Verezzi. Thy cursed image, revelling in his heart, has blasted my happiness for ever; but, ere I die, I will taste revenge—oh! exquisite revenge!” She paused—she thought of the passion which consumed her. “Perhaps one no less violent has induced Julia to rival me,” said she. Again the idea of Verezzi’s illness—perhaps his death—infuriated her soul. Pity, chased away by vengeance and disappointed passion, fled. “Did I say that I pitied thee? Detested Julia, much did my words belie the feelings of my soul. No—no—thou shalt not escape me. Pity thee!”
Again immersed in corroding thought, she heeded not the hour, till looking up, she saw the shades of night were gaining fast upon the earth. The evening was calm and serene: gently agitated by the evening zephyr, the lofty pines sighed mournfully. Far to the west appeared the evening star, which faintly glittered in the twilight. The scene was solemnly calm, but not in unison with Matilda’s soul. Softest, most melancholy music, seemed to float upon the southern gale. Matilda listened—it was the nuns at a convent, chanting the requiem for the soul of a departed sister.