And maybe this mood of which we are thinking may have a not unworthy place in a strenuous life. As a tired woman pauses amid her tasks and looks out of her cottage window to take into her heart the quiet beauty of the woods where she knows the ground is fair with lilies, so do we find ourselves looking out of life's small casement and thinking upon the fresh, free, 'outdoor' life the soul will some day live. And such a mood as this is surely a sign of the soul's growth, a testimony of its responsiveness to the divine touch, a sudden sense of its splendid destiny borne in upon it among the grey and narrow circumstances of its service.
Oh that I had a dove's swift, silver wings,
I said, so I might straightway leave behind
This strife of tongues, this tramp of feet, and find
A world that knows no struggles and no stings,
Where all about the soul soft Silence flings
Her filmy garment, and the vexèd mind
Grows quiet as there floats upon the wind
The soothing slumber-song of dreamless things.
And lo! there answered me a voice and said,
Man, thou hast hands and heart, take back thy prayer;
Covet life's weariness, go forth and share
The common suffering and the toil for bread.
Look not on Rest, although her face be fair,
And her white hands shall smooth thy narrow bed.
XI.
A NEW SONG
O sing unto the Lord a new song.
Ps. xcvi. 1.
Time and again in the Psalter we find this appeal for a new song. First of all, and most obviously, the appeal concerns the contents of the song. It reminds us of the duty of making our grateful acknowledgement of God's goodness to us expand with our growing experience of that goodness. It is, if, one may so phrase it, a reminder to us that our praise needs bringing up to date. A hymn considerably later in date than this psalm exhorts us to 'count' our 'blessings,' and to 'name them one by one.' This exhortation to attempt the impossible is perhaps more worthy of being heeded than the form in which it is presented to us might lead some to suppose. There is no getting away from the simple fact that a man's thankfulness has a real and proportionate relationship to the things for which he has cause to be thankful. If in our daily life the phrase 'the goodness of God' is to have a deepening and cumulative significance, it must be informed and vitalized continually by an alert and responsive recognition of the forms in which that goodness is ever freshly manifested to us. Whilst the roots of the tree of praise lie deep beneath the surface, and wind their thousand ways into dim places where memory itself cannot follow them, yet surely the leaves of the tree are fresher and greener for rain that even now has left its reviving touch upon them, and for the sunshine that is even now stirring the life in all their veins. The figure is imperfect. We are not trees. We do not respond automatically to all the gracious and cheering ministries of the Eternal Goodness in our lives. We may easily overlook many a good gift of our God. And though in our forgetfulness and unthankfulness we profit by the sunlight and the dew and by each tender thought of God for His creatures, yet the full and perpetual profit of all good things is for each of us bound up with the power to see them, the wisdom to appraise them, the mindfulness that holds them fast, and the heart that sings out its thanksgiving for them. 'O sing unto the Lord a new song.' Bring this day's life into the song. Bring the gift that has come to thee this very hour into the song. Look about thee. See if there be but one more flower springing at the path-side. See if the bud of yesterday has but unfolded another leaf. Behold the loaf on thy table, feel the warmth of thy hearth, yea, feel the very life within thee that woke again and stirred itself with the morning light, and say these gifts are like unto the gifts of yesterday, but they are not yesterday's gifts. Yesterday's bread is broken, and yesterday's fire is dead, and yesterday's strength is spent. O God, Thy mercies are new every morning! So shall a new song break from the heart.
It is quite possible, in taking what we believe to be a broad view of life, to overlook many of the things that go to make life. Too much generalizing makes for a barren heart. The specific has a vital place in the ministry of praise. It is true that the highest flights of praise always carry the soul beyond any conscious reckoning with the details of its experience. Tabulation is not the keystone of the arch of thanksgiving. But to behold the specific goodness of God in each day's life, to review the hours and to say to one's own soul, Thus and thus hath my God been mindful of me, is perhaps the surest and the simplest way to deepen and vitalize the habit of praise in our life, and to set the new notes ringing in our psalm of thanksgiving.
But in this appeal for a new song of praise to God there is something more than a recognition of new blessings. The new song is not merely the response to new mercies and the tuneful celebration of recent good. If there is to be ever a new note in the song, there must be ever a new note in the singer's heart. And this cometh not by observation, but by inspiration. You may change the words of the song and it may still be the old song. You may sing the same words and it may yet be a new song. For as is the singer, so is the song.
O sing unto the Lord a new song. That is a plea for a deeper and a wider life. It is a plea that sounds the depth of the heart and takes the measure of the soul. The new song comes not of a truer enumeration of life's blessings, but of a truer understanding of the blessedness of life itself. The key to such understanding is character. When by the grace of the clean heart and the enlightened and responsive spirit a man can get beneath the events of each day's life and commune with that eternal law of love to which each one of those events bears some relation—or had we not better say commune with the Eternal Father by whom that law exists?—then is his song of praise ever new. It is something to catch a glimpse of the mercy of God, and to think and feel as one has not thought or felt before about some part of life's daily good. But it is vastly more to learn to interpret the whole of life in the terms of the goodness of God. The saint sings where the worldling sighs. And if we find in that song only the apotheosis of courage and resignation, we have neither found the source of the song nor the message of it. The new song comes not from the thrill of peril faced and defied, nor from the victorious acceptance of hard and bitter things. It comes from that deep life of the soul in God, a life beyond the threat of peril and beyond the touch of pain. It finds its deepest and freshest notes not in contemplating the new gains and good of any day, but in a growing sense of the timeless gain and eternal good of every day.