The tall chimneys rise up through the eaves of the little houses; octagonal at the top, they are perforated like a lantern, with two openings on each side. On them are shields bearing the arms of the see, of Bishop Beckington and his executors, Swan, Sugar, and Pope, sugar-loaves and swans abounding in the decoration.

At the farther end of the close is the tiny chapel (finished by Bubwith, and finally consecrated in 1489, after Beckington had added the wooden ceiling and the chamber above), where compline is still said by the theological students. It is one of the most beautiful things in Wells—a jewel, like so much of its period—and it has been well decorated in sgraffitto and colour by Mr Heywood Sumner. An interesting feature of its exterior is that some of the old Early English carving was worked in with the masonry of the wall, by way of decoration, and very effective it is. A passage at the side leads to the Liberty, where are some of the prebendal houses.

Over the entrance, and leading into the bridge of the Chain Gate, are the hall and its offices, which are approached by a fine staircase. In the hall is a painting of much interest, which represents Bishop Ralph seated on his throne, the vicars kneeling before him; the petition which he holds runs—Per vicos positi villae, Pater alme rogamus, Ut simul uniti, te, Dante domos maneamus; and the answer, which has the episcopal seal, is—Vestra petunt merita, Quod sint concessu petita: Ut maneatis ita, Loca fecimus hic stabilita. On the right are seventeen figures with ruffles, evidently added in Elizabethan times; corresponding inscription has also been added—Quas primus struxit, etc.

There is also a pulpit over the fireplace, which is large, with good mouldings and an inscription, In vestris precī habeat^s comedatū do[=m] Ricardū Pomroy quem salvet Ihs. Amen. On the hearth are a pair of fine fire-dogs.

Just outside the entrance to the vicars' close is a beautiful oriel window, which has been much copied in modern times. It springs from a corbelled head, from which foliate four cinquefoiled panels. The window now has only three square-headed lights, the centre one being large. Under its sills are rich panels, and it is capped by a slight crenelated cornice with a boldly-carved drip, from which springs a conical roof surmounted by a fleur-de-lys.

The beautiful Bishop's Palace was mainly built by Jocelin, who died in 1242. It consists of three sides of a quadrangle, the bishop's house being on the east, the chapel on the south, the kitchen and offices running alongside the moat on the north: on the west side there was formerly a gate-tower and a wall having a cloister within which led to chapel and hall. In addition to these buildings the great hall, now in ruins—forming, with the walls and outhouses, an outer court—was built to the south-west of the chapel. The whole group of buildings stands on a piece of ground, rich with trees, surrounded by a lovely old wall and moat, the single approach being by the bridge and the gate-house, which has Renaissance windows and retains the slit for the portcullis and the drawbridge-chains. Bishop Ralph of Shrewsbury constructed the gate-house and fortifications, which form an irregular pentagon, with a bastion at each angle, and an extra one in the south-east side. The bastion in the western angle (on the south of the gate-house) contains two storeys, of which the lower, called the cow-house or stock-house, was used as a prison for criminous clerks. The moat is fed by a stream from St. Andrew's well hard by.

The palace itself is a most interesting example of medieval architecture, and remains very much in its original condition. It is oblong in plan, and divided lengthwise by a solid wall, running through both storeys from end to end, at about one third of its width; the long outer chamber formed by this wall on the ground floor is divided into the entrance hall of three bays (containing a fireplace, temp. Henry VIII.), and the passages to staircase and to chapel at either end. The wider chamber within the wall is lighted by plain lancet windows, and has a row of slender Purbeck pillars down the middle, which, with the corbels on the wall, carry a groined vault: this, the "crypt," or undercroft, was probably used as a storage-room; it is now the dining-room. To the north of this hall is a square chamber with a pillar in the centre; and to the east of the chamber a small room projects beyond the ground plan of the building, with a space at one end (probably a closet) now walled up.

On the first floor the great chamber (68 by 28 feet) stood over the undercroft, while on its north was the bishop's private room, both open to the roof, and to the east of this, his private chapel. The gallery above the entrance hall was formerly divided into three chambers, the two larger of which Mr Buckle thinks were used as a lobby and a wardrobe. The windows in the gallery were restored by Mr Ferrey in 1846, but nothing is new except the marble shafts and bases. The two windows at the north end of the great chamber are evidently later additions, as they have fully developed bar-tracery, while the other windows in the chamber consist of pairs of trefoil-headed windows with a quatrefoil in plate tracery above them.