SPECIMENS FIGURED IN THE PLATES.


LIST OF ABBREVIATIONS.

The following abbreviations are used to denote the collections and works most frequently quoted in the descriptions of the Plates:—

Alnw.The Duke of Northumberland’s Collection at Alnwick Castle, Northumberland.
Amh.Lord Amherst of Hackney’s Collection at Didlington Hall, Norfolk.
Ashm.The Ashmolean Museum at Oxford.
Ath.The Athens Museum.
A.Z.Zeitschrift für Ägyptische Sprache, Berlin.
BensonMr. E. F. Benson’s Collection, London.
Berl.The Egyptian Museum, Berlin.
B.M.The British Museum.
Bol.The Museo Civico, Bologna.
B.P.(Delhaes Coll.) Buda Pesth.
C.d.M.The Cabinet des Medailles, Paris.
C.M.The Cairo Museum.
Dat.G. Dattari’s Collection, Cairo.
DavisMr. Theodore M. Davis’ Collection, Newport, Rhode Island, U.S.A.
de M. D.M. de Morgan’s Fouilles à Dahchour.
Dres.The Dresden Museum.
Edw.The Edwards’ Collection, University College, London.
EvansCol. John Evans’ Collection, London.
Fitzw.The Fitzwilliam Museum, Cambridge.
F.Sc.Mr. G. W. Fraser’s book “Scarabs.”
Gibs.Mr. Gibson’s Collection, Liverpool.
Gdn.Mrs. Goodison’s Collection, Waterloo, near Liverpool.
Gr.The late Dr. Grant’s Collection, Liverpool.
GreenMr. F. W. Green’s Collection, Tunbridge Wells.
Har.The Harrow School Museum, Harrow.
Herm.The Museum of the Ermitage, St. Petersburg.
HoodMrs. Hood’s Collection, Nettleham Hall, Lincoln.
H-P.Mr. Hilton Price’s Collection, London.
L.The Egyptian Museum of the Louvre, Paris.
Leyd.The Leyden Museum.
Liv.The Liverpool Museum.
LuxorSpecimens seen in Dealers’ shops at Luxor.
Mars.The Château Borelly Museum, Marseilles.
M. B.M. Maspero’s Guide du visiteur au Musée de Boulaq.
M. Cat. Ab.Mariette’s Catalogue général des Monuments d’Abydos.
M.D.Mariette’s Monuments Divers.
M-G.Mr. W. MacGregor’s Collection, Tamworth.
M. Mast.Mariette’s Les Mastabas de l’Ancien Empire.
MurchMr. Chauncey Murch’s Collection, Luxor.
MyersThe late Major Myers’ Collection, now in the Eton College Museum, Eton.
NashMr. W. Nash’s Collection.
Newb.Scarabs in the possession of the writer.
N.Y.The Abbott Collection at New York.
Piers’ Coll.Mr. Piers’ Collection, New York.
P.Prof. Petrie’s Collection at University College, London.
P. I.Prof. Petrie’s Illahûn, Kahun and Gurob.
P. K.vProf. Petrie’s Kahun, Gurob and Hawara.
P. R. T.Prof. Petrie’s volumes on the Royal Tombs of Abydos.
P. Sc.Prof. Petrie’s Historical Scarabs.
P.S.B.A.Proceedings of the Society of Biblical Archaeology.
S.K.The South Kensington Museum.
Thomp.Sir Herbert Thompson’s Collection, London.
Timmins’ Coll.Capt. C. Timmins’ Collection, Cairo.
T.The Turin Museum.
Vat.The Egyptian Museum of the Vatican, Rome.
Vien.The Vienna Museum.
v-B.Baron von Bissing’s Collection, Munich.
W.Mr. John Ward’s Collection, Belfast.
W. S.B.Mr. John Ward’s volume on The Sacred Beetle.

PLATE I.
SOME ROYAL SIGNET-RINGS.

I. Signet-ring of Apepŷ I. In the possession of Mr. Theodore M. Davis. The bezel is of green-glazed steatite, carved in the shape of a scarabaeus-beetle with a human head, and mounted in a thin gold funda. On the base of the bezel is engraved in intaglio, and within a cartouche, the name of the “Good King Aauser-ra (Apepŷ I), giving life.” The cartouche is surrounded by a continuous rope-pattern. The hoop of the ring is of gold, and the bezel is secured to it by means of a gold wire running longitudinally through the funda and scarab, and coiled tightly round its two ends.

II. Signet-ring of Amenhetep II. In the Egyptian Museum of the Louvre. The bezel is of solid gold, in the form of a rectangular plaque. On one face are engraved, in intaglio, the titles and prenomen of Amenhetep II: “The King of Upper and Lower Egypt, the Lord of the Two Lands, Aa-kheperu-ra,” the cartouche being surmounted by two cobras, and resting on the nub-sign. On the other face are the titles: Heru, ka nekht, user pehtet, “the Horus and Mighty Bull, strong in power.” The bezel is pierced longitudinally by a narrow hole, and it is fixed to the hoop of the ring by means of a rod running through it, and rivetted to the shoulders.

III. Signet-ring of Nefer-ka-ra (Psamtek II). In the possession of Mr. Walter Nash. A plain hoop of gold, beaten out into a lozenge-shaped plate, upon which is cut, in intaglio, the prenomen of Psamtek II.