When they had gone their way, I set off on mine up to the old town. The approach was encouraging. A grand sweep faced me of old walls, rusted, but stout and vigorous, with corner towers rising out of a moat; then came a spacious bridge leading into a wide, encouraging-looking street of sound handsome houses. But, strange! not a single cab, restaurant, or hotel—nay, hardly a soul to be seen, save a few rustics in their blouses! It was all dead! I walked on, and at an abrupt turn emerged on the huge expanse of the place, and was literally dumbfoundered.
Now, of all the sights that I have ever seen, it must be confessed that this offered the greatest surprise and astonishment. It was bewildering. On the left spread away, almost a city itself, the vast, enormous town-hall—a vista of countless arches and windows, its roof dotted with windows, and so deep, expansive, and capacious that it alone seemed as though it might have lodged an army. In the centre rose the enormous square tower—massive—rock-like—launching itself aloft into Gothic spires and towers. All along the sides ran a perspective of statues and carvings. This astonishing work would take some minutes of brisk motion to walk down from end to end. It is really a wonder of the world, and, in the phrase applied to more ordinary things, 'seemed to take your breath away.' It is the largest, longest, most massive, solid, and enduring thing that can be conceived.
It has been restored with wonderful care and delicacy. By one of the bizarre arrangements—not uncommon in Flanders—a building of another kind, half Italian, with a round arched arcade, has been added on at the corner, and the effect is odd and yet pleasing. Behind rises a grim crag of a cathedral—solemn and mysterious—adding to the effect of this imposing combination, a sort of gloomy shadow overhanging all. The church, on entering, is found overpowering and original of its kind, with its vast arches and massive roof of groined stone. Truly an astonishing monument! The worst of such visits is that only a faint impression is left: and to gather the full import of such a monument one should stay for a few days at least, and grow familiar with it. At first all is strange. Every portion claims attention at once; but after a few visits the grim old monument seems to relax and become accessible; he lets you see his good points and treasures by degrees. But who could live in a Dead City, even for a day? Having seen these two wonders, I tried to explore the place, which took some walking, but nothing else was to be found. Its streets were wide, the houses handsome—a few necessary shops; but no cabs—no tramway—no carts even, and hardly any people. It was dead—all dead from end to end. The strangest sign of mortality, however, was that not a single restaurant or house of refection was to be found, not even on the spacious and justly called Grande Place! One might have starved or famished without relief. Nay, there was hardly a public-house or drinking-shop.
However, the great monument itself more than supplied this absence of vitality. One could never be weary of surveying its overpowering proportions, its nobility, its unshaken strength, its vast length, and flourishing air. Yet how curious to think that it was now quite purposeless, had no meaning or use! Over four hundred feet long, it was once the seat of bustle and thriving business, for which the building itself was not too large. The hall on the ground seems to stretch from end to end. Here was the great mart for linens—the toiles flamandes—once celebrated over Europe. Now, desolate is the dwelling of Morna! A few little local offices transact the stunted shrunken local business of the place; the post, the municipal offices, each filling up two or three of the arches, in ludicrous contrast to the unemployed vastness of the rest. It has been fancifully supposed that the name Diaper, as applied to linens, was supplied by this town, which was the seat of the trade, and Toile d'Ypres might be supposed, speciously enough, to have some connection with the place.
X.
BERGUES.
ut en route again, for the sands are fast running out. Old fortified towns, particularly such as have been protected by 'the great Vauban,' are found to be a serious nuisance to the inhabitants, however picturesque they may seem to the tourist; for the place, constricted and wrapped in bandages, as it were, cannot expand its lungs. Many of the old fortressed towns, such as Ostend, Courtrai, Calais, have recently demolished their fortifications at great cost and with much benefit to themselves. There is something picturesque and original in the first sight of a place like Arras, or St. Omer, with the rich and lavish greenery, luxuriant trees, banks of grass by which the 'fosse' and grim walls are masked. Others are of a grim and hostile character, and show their teeth, as it were.