“You don’t say so,” said Mr. Pickwick.

Yes, you’ll hear his voice in a moment, Mr. Pickwick. He’ll speak to me.” Particular awe and reverence could not be better expressed.

It is curious how accurate the young fellow was in all his details. He describes the ball as beginning at “precisely twenty minutes before eight o’clock;” and according to the old rules it had to begin as soon after seven as possible. “Stay in the tea room and take your sixpennorths.” Mr. Dowler’s advice was after a regulation “that everyone admitted to the tea-rooms on dress nights shall pay 6d. for tea.” The M.C.’s visit to Mr. Pickwick was a real carrying out of the spirit of the regulations, in which it was requested that “all strangers will give the M.C. an opportunity of being introduced to them before they themselves are entitled to that attention and respect.”

Nothing is more gratifying to the genuine Pickwickians than to find how all these old memories of the book are fondly cherished in

the good city. All the Pickwickian localities are identified, and the inhabitants are eager in every way to maintain that Mr. Pickwick belongs to them, and had been with them. We should have had his room in the White Hart pointed out, and “slept in” by Americans and others, had it still been left to stand. Not long since, the writer went down to the good old city for the pleasant duty of “preaching Pickwick,” as he had done in a good many places. There is an antique building or temple not far from where an old society of the place—the Bath Literary and Scientific Institute—holds its meetings, and here, to a crowded gathering under the presidency of Mr. Austen King, the subject was gone into. It was delightful for the Pickwickian stranger to meet so appreciative a response, and many curious details were mentioned. At the close—such is the force of the delusion—we were all discussing Mr. Pickwick and his movements here and there, with the same conviction as we would have had in the case of Miss Burney, or Mrs. Thrale or Dr. Johnson. The whole atmosphere was congenial, and there was an old-world, old-fashioned air over the rooms. It was delightful to be talking of Mr. Pickwick’s Bath adventures in Bath.

Nor was there anything unreasonably fantastical in making such speculations all but realities. Bantam lived, as we know, in St. James’s Square—that very effective enclosure, with its solemn house and rich deep greenery, that recall our own Fitzroy. No. 14 was his house, and this, it was ascertained, was the actual residence of the living M.C. How bold, therefore, of Boz to send up Sam to the very Square! Everyone, too, knew Mrs. Craddock’s house in the Circus—at least it was one of two. It was No. 15 or 16, because at the time there were only a couple in the middle which were let in lodgings, the rest being private houses. This was fairly reasonable. But how accurate was Boz! No doubt he had some friends who were quartered in lodgings there.

I scarcely hoped to find the scene of the footmen’s “swarry” tracked out, but so it was. On leaving Queen Square in company with Mr. Smauker to repair to the scene of the festivity, Sam and his friend set off walking “towards High Street,” then “turned down a bye-street,” and would “soon be there.” This bye-street was one

turning out of Queen Square at the corner next Bantam’s house; and a few doors down we find a rather shabby-looking “public” with a swinging sign, on which is inscribed “The Beaufort Arms”—a two-storied, three-windowed house. This, in the book, is called a “greengrocer’s shop,” and is firmly believed to be the scene of “the Swarry” on the substantial ground that the Bath footmen used to assemble here regularly as at their club. The change from a public to a greengrocer’s scarcely affects the point. The uniforms of these gentlemen’s gentlemen were really splendid, as we learn from the text—rich plushes, velvets, gold lace, canes, &c. There is no exaggeration in this, for natives of Bath have assured me they can recall similar displays at the fashionable church—of Sundays—when these noble creatures, arrayed gorgeously as “generals,” were ranged in lines outside “waiting their missuses,” pace Mr. John Smauker. At the greengrocer’s, where the Bath footmen had their “swarry,” the favourite drink was “cold srub and water,” or “gin and water sweet;” also “S’rub punch,” a West Indian, drink, has now altogether disappeared. It sounds strange to learn that a fashionable footman should consult “a copper timepiece which dwelt at the bottom of a deep watch-pocket, and was raised to the surface by means of a black string with a copper key.” A copper watch seems extraordinary, though we have now those of gun metal.

The Royal Crescent, with its fine air and fine view, always strikes one with admiration as a unique and original monument: the size and proportions are so truly grand. The whole scene of Mr. Winkle’s escapade here is extraordinarily vivid, and so protracted, while Mrs. Dowler was waiting in her sedan for the door to be opened, that it has the effect of imprinting the very air, look, and tone of the Royal Cresent on us. We seem to be waiting with her and the chair-man. It seems the most natural thing in the world. The houses correspond almost exactly with Phiz’s drawing.

Pickwick, it has been often pointed out, is full of amusing “oversights,” which are pardonable enough, and almost add to the “fun” of the piece. At the opening, Mr. Pickwick is described as carrying his portmanteau—in the picture it is a carpet-bag. The story opens in 1827, but at once Mr. Jingle begins to talk of being