the almost Roman wall, though on the right-hand side either necessity or convenience has prompted the filling of these recesses with confessionals. On the left, near the altar, a flight of steps leads up through a Gothic door to a cloister, whence other stairs wind on to the elegant chapel above. Here opens a perfect surprise, from its two vast windows, which through all vicissitudes and disfigurements have been treated tenderly, and have excited the admiration of architects and amateurs. The grace or proportion displayed in window and wall, the unobtrusive decorations, the fine old ribbed roof—these and other attractions make this chapel one of the genuine treasures of London.

Scarcely any locality in the City so plainly tells its story as does the little quarter round the chapel. It is dedicated to St. Etheldreda, and up to about a hundred years ago had always been intimately connected with the see of Ely and the Cathedral city itself. As an instance of the religious associations still lingering in the district, there will be noted close by, in Holborn, one of those remarkable old inns, of which only a few are left, in Southwark chiefly, which retain the old inn-yard with two tiers of galleries. This specimen is a very antique one; of ripe old brick, but sound and in good condition. Its sign is The Old Bell, and many will have noticed it. Now we find that about the year 1290 Bishop Kirkely bequeathed to the convent at Ely his mansion house called the Bell, or “le Bell,” together with some cottages in Holborn.

Old Roman Font discovered under the Crypt of S. Etheldreda’s

There must be octogenarians in the district whose parents could have described to them the vast group of buildings and gardens which stood here so lately as a century ago—the old Palace of the Bishops of Ely, with banqueting hall, cloisters, and dwelling house; the “fayre plaisaunces” and gardens were to be seen then, though in sad disorder; and the whole must have offered a very striking specimen of the many old spacious inclosures of which there are now but few left. By-and-by there will be none.

To Grose we owe a carefully-drawn plan, which gives the position of every building and outhouse, and shows what a large establishment it must have been. The whole inclosure with its gardens, cloisters, etc., covered the space of ground between Hatton Garden and Saffron Hill. It is easy to follow the disposition of the buildings by this plan. The large arched gateway stood a little beyond the Prince Consort’s equestrian statue. The old banqueting-hall was near where the porter’s lodge at the entrance of Ely Place stands, and the cloisters covered the ground between it and that on which the right-hand row of houses is built.

It had often been proposed by the Bishops to sell their property; and in 1768 the Government thought seriously of buying it for a prison. At last Dr. Keene, Bishop in 1772, obtained an Act of Parliament authorizing him to dispose of the whole to the Crown, it being proposed to erect Government offices on the site. The sum was £6,500, and a clear annuity of £200 to the Bishop. This Dr. Keene had been consecrated in the little chapel in the year 1752, and indeed much Protestant parochial work seems to have been carried on there through all its vicissitudes. Six Bishops, it is recorded, died within the precincts. With the sum paid by the Government, and £3,600 “dilapidations” to be recovered from the Bishop, it was proposed to build a new mansion. This was accordingly done, and the present plain, stone-fronted house to be seen in Dover Street, marked with a mitre, furnished succeeding Bishops with a less responsible, if less picturesque residence. Then the work of levelling and devastation set in. The entire pile, cloisters, banqueting-hall, etc., were razed to the ground. The chapel only was left.

The fate of the pretty chapel, thus spared, was to be precarious. It was to pass through all sorts of changes, some of a degrading kind. It was humiliating to find this monument associated with all the vulgar elements of the “proprietary chapel,” a chaplain being secured to “draw” a congregation, the crypt being, as in the case of the chapel of “Rev. Charles Honeyman,” let off for stores or wine-vaults, to increase the receipts.