And the description which followed only emphasises the present writer’s unfitness for the task he has undertaken. In the text of the story and in the illustration by my friend Mr Caldwell (who was himself subjected to the same influence) there is left a loophole for fancy: it is open to any one to believe that Jock is just beginning or just ending his aerial excursion. The Important People are not satisfied; but then the page is not big enough to exhibit Jock at the top of that flight—of fancy!
From the date of that lesson it was apparent that reputations would suffer if the story of Jock were not speedily embodied in some durable and authoritative form, and during a long spell of ill health many of the incidents were retold in the form of letters to the Little People. Other Less Important Persons—grown-ups—read them and sometimes heard them, and so it came about that the story of Jock was to be printed for private circulation, for the Little People and their friends. Then the story was read in manuscript and there came still more ambitious counsels, some urging the human story of the early days, others the wild animal life of South Africa. Conscious of many deficiencies the narrator has left two great fields practically untouched, adhering to the original idea—the story of Jock; and those who come into it, men and animals, come in because of him and the life in which he played so large a part. The attempt to adapt the original letters to the symmetry of a connected story involved, as one might have known, endless trouble and changes, necessitating complete re-writing of most parts; and the responsibility and work became still greater when, after a casual and unforeseen meeting, my friend Mr Caldwell accepted the suggestion to come out to South Africa and spend six months with us in order to study the game in its native bush and to know the conditions of the life and put that experience into the work of illustrating “Jock.”
The writer is well aware that, from the above causes and one other, there are grave inequalities in style and system, and in plane of phrase and thought, in different parts of the book. For this feature the ‘one other’ cause is alone put forward as a defence. The story belongs to the Little People, and their requirements were defined—“It must be all true! Don’t leave out anything!” It has been necessary to leave out a great deal; but the other condition has been fully and fairly complied with; for it is a true story from beginning to end. It is not a diary: incidents have been grouped and moved to get over the difficulty of blank days and bad spells, but there is no incident of importance or of credit to Jock which is not absolutely true. The severest trial in this connection was in the last chapter, which is bound to recall perhaps the most famous and most cherished of all dog stories. Much, indeed, would have been sacrificed to avoid that; but it was unthinkable that, for any reason, one should in the last words shatter the spell that holds Jock dear to those for whom his life is chronicled—the spell that lies in ‘a true story.’
Little by little the book has grown until it has come perilously near the condition in which it might be thought to have Pretensions. It has none! It is what it was: a simple record, compiled for the interest and satisfaction of some Little People, and a small tribute of remembrance and affection offered at the shrine of the old life and those who made it—tendered in the hope that some one better equipped with opportunities and leisure may be inspired to do justice to it and to them for the sake of our native land.
Chapter One.
The Background.
Of the people who live lonely lives, on the veld or elsewhere, few do so of their own free choice. Some there are shut off from all their kind—souls sheathed in some film invisible, through which no thrill of sympathy may pass; some barred by their self-consciousness, heart hungry still, who never learned in childhood to make friends; some have a secret or a grief; some, thoughts too big or bad for comradeship. But most will charge to Fate the thoughtless choice, the chance, or hard necessity, that drew or drove them to the life apart; they know the lesson that was learned of old: “It is not good for man to be alone.”
Go out among them, ever moving on, whose white bones mark the way for others’ feet—who shun the cities, living in the wilds, and move in silence, self-contained. Who knows what they think, or dream, or hope, or suffer? Who can know? For speech among that hard-schooled lot is but a half-remembered art.