Mendelssohn, op. 72, No. 5.

Chopin, Prélude, op. 28, No. 17.

Mozart, pianoforte sonata No. 8, Andante (entire).

Mozart, No. 18, Andantino (of the "Fantasia").

Chopin, Mazurkas, No. 1, No. 2, No. 4, No. 5, No. 8, No. 15, No. 16, No. 18, No. 37, No. 44, No. 48.

GROUPS OF PARTS:

Chopin, Mazurkas, No. 3 (apparently five Parts, not counting repetitions; Part V corroborates Part I, but the intervening sections are too independent to be regarded as one long Second Part,—as would be the case if this corroboration were Part III). Also No. 7 (same design); No. 14 (four Parts, the last like the first); No. 19 (four Parts, the fourth like the second); No. 20: No. 21; No. 27 (Part V like I, Part IV like II); No. 34; No. 39; No. 41.

Schubert, Momens musicals, op. 94, No. 3.

CHAPTER XII. THE SONG-FORM WITH TRIO.