Lessons in Music Form / A Manual of Analysis of All the Structural Factors and Designs Employed in Musical Composition

by Percy Goetschius

Transition, period-form (21-27), leading into the new key.

First Subordinate theme, period-form (28-36), with

Codetta, repeated (37-42).

Re-transition (43-47).

Principal theme, as before (48-67).

Second Subordinate theme, double-period (68-83); the process of Re-transition manifests its inception about one measure before (82), and is carried on to measure 87.

Principal theme, as before (88-107).

Coda, period, with modified repetition of consequent phrase (108-119),—followed by an extra perfect cadence, as extension.

LESSON 14.—Analyze the following examples, as usual. Review the directions given in Lesson 13:—

Beethoven, pianoforte sonatas: op. 10, No. 3, last movement.