There was an artistic strain in this man who could so easily kindle with enthusiasm and who could express his enthusiasms with such rhythmic eloquence. The special subjects on which he could best vent his poetic powers were found in his passages and his occasional whole chapters on nature themes—in particular the letters on “John Bartram, Botanist,” and “The Snakes and the Humming Bird.” In these it is impossible not to feel the resemblances between this early naturalist and his successor, Thoreau (see pp. 222–229). While neither was a scientist in the strict sense of the word, neither was content to dismiss nature subjects with mere words of general appreciation. Both were interested enough to observe in detail and to record with some exactness the ways of plants, flowers, birds, and insects; but both were at their best when they were giving way to the real zest they had in the enjoyment of the out of doors.
Who can listen unmoved to the sweet love-tales of our robins, told from tree to tree, or to the shrill cat-birds? The sublime accents of the thrush, from on high, always retard my steps, that I may listen to the delicious music.... The astonishing art which all birds display in the construction of their nests, ill-provided as we may suppose them with proper tools, their neatness, their convenience, always make me ashamed of the slovenliness of our houses. Their love to their dame, their incessant, careful attention, and the peculiar songs they address to her while she tediously incubates their eggs, remind me of my duty, could I ever forget it. Their affection to their helpless little ones is a lovely precept; and, in short, the whole economy of what we call the brute creation, is admirable in every circumstance; and vain man, though adorned with the additional gift of reason, might learn from the perfection of instinct, how to regulate the follies, and how to temper the errors, which this second gift often makes him commit.... I have often blushed within myself, and been greatly astonished, when I have compared the unerring path they all follow,—all just, all proper, all wise, up to the necessary degree of perfection—with the coarse, the imperfect, systems of men.
For generations the beauties of nature had held small place in English literature, because the English men of letters were a completely citified set of writers; and they had received little attention in America, partly because England gave American writers no reminder and partly because nature in America had been chiefly something to struggle with.
So enthusiastic was Crèvecœur over conditions in America, and so certain was he that they never would be disturbed in any unfortunate way, that the twentieth-century reader looks over his pre-Revolution pages with a kind of wistful impatience. About many aspects of the material development of the country Crèvecœur was keenly prophetic. Throughout eleven of the letters, evidently written before 1775, he continued in an exalted and confident mood. Whether he was presenting the “provincial situations, manners and customs” of Nantucket and Marthas Vineyard, or of the central Atlantic, or of the Southern colonies, his senses and his judgment were equally satisfied. Industry prevailed. The wilderness was being converted into towns, farms, and highways. “A pleasing uniformity of decent competence” was a rule of the democracy. The indulgent laws were fair to the laborer and the voter. He seemed to feel that the era of prosperity would last till the end of the world. His vision of the future was the vision of a man perched in the small end of an infinite horn of plenty, with a vista unclouded by the hint of any limit to the supply or of any possible conflict between gluttony and hunger.
In fact, along the whole coast there was only one practice which deserved the name of a problem, and that was the institution of slavery. Against this, which existed both North and South, Crèvecœur protested just as Samuel Sewall and John Woolman had done before him, and as Timothy Dwight and Joel Barlow in Connecticut and William Pinkney and other lawmakers and abolitionists in Maryland and Virginia were to do soon after him. Yet, however sincere he was, he regarded slavery only as an external blemish rather than as a national danger. It was a mistake, but not a menace. It was typical of the America of the future that Crèvecœur should have had so unquestioning a confidence in the prospect. The belief in a “manifest destiny” for America, which is finely inspiring for all who will work to bring about a glorious future, has been demoralizing to millions who have used a lazy belief in it to excuse them from feeling or exercising any responsibility.
With the twelfth letter came a total change of key. It was evidently written long after all the others, after the outburst of war, perhaps after his New Jersey property had been burned, possibly even during his return voyage to France in the autumn of 1780. As a naturalized subject of King George, when well on in middle life he had been forced to choose between his sworn allegiance and the interests of his fellow-colonists. He sympathized with the American cause, though he did not enlist. And then in the years that followed he learned (the perennial lesson of war time) of the “vanity of human wishes.” Unhappily for the moral of the tale, the latter part of his life was far from heroic. In the concluding letter, written quite after the fashion of the most sentimental and unreal eighteenth-century nature lovers, Crèvecœur decided to abandon the struggle in the war zone and to take up life anew with his family among the Indians in the West. He would forswear all talk of politics, “contemplate nature in her most wild and ample extent,” and formulate among his adopted neighbors a new system of happiness. As a matter of fact, however, his retreat was even more complete than this; for he returned permanently to the Continent, lived contentedly in Paris, London, and Munich, married his daughter to a French count, wrote volumes on Pennsylvania and New York, and memorialized his career as a farmer by inditing a paper on potato culture.
Although such a turn of events resulted in very much of an anticlimax, this fact should not make one forget the prophetic quality in his “Letters,” nor should his failure to predict every aspect of modern life throw any shadow on the clearness with which he foretold some of the most important of them. It is true, of course, that he did not appreciate how tragic were to be the fruits of slavery; that he saw immigration only as a desirable supply of labor to a continent which could never be overpopulated; that, writing before the earliest chapter of the factory era, he did not dream of the industrial complexities of the present. But when he said that the American, sprung from Europe but here adopted into a new nation, “ought therefore to love this country much better than that wherein either he or his forefathers were born,” he was saying something that has been repeated with new conviction ten thousand times since the outbreak of the Great War. And when he declared that “the American is a new man, who acts upon new principles” he was foreshadowing national policies which the world has been slow to understand. The possibility of a nation’s being too proud to fight at the first provocation, and the subordination of national interest to the interest of mankind—this is the language of the new principles that Crèvecœur was invoking. It is nearly a century and a half since he tried to answer the question “What is an American?” Much has happened since then. Internally the country has developed to the extent of his farthest dreams, and in the world-family, after five great wars, it has become one of the greatest of the powers, fulfilling so much of his predictions that one speculates in all humility on what may be the next steps “for that new race of men whose labours and posterity will one day cause great changes in the world.”
BOOK LIST
Individual Author
Michel Guillaume St. Jean de Crèvecœur. Letters from an American Farmer. Written for the information of a friend in England. Edited by J. Hector St. John. 1782.