"Let that wait for forty-eight hours," said Quarles. "We may have a more complete story by then. Give me until to-morrow night, then come and see me."
When I went to Chelsea the following night I was taken at once to the empty room. Zena was there. Quarles was standing by his table, on which was a rough plan, evidently a production of his own, and quite unintelligible without an explanation.
"Of course you have not discovered anything yet, Wigan?"
"There has not been time," I answered.
"No, quite so," he said, motioning me to a seat. "But we have a fairly clear story, I think. Zena said, you remember, that she would like to know something about the man who was coming to dine with Portman that night. It was an important point, particularly so since the guest did not put in an appearance. You saw the importance of it, Wigan, because you asked Isaacson whether he was the expected guest. Now, Isaacson had seen Portman after he had left his house that night, but had not spoken to him. This fact suggested a question to my mind: was Isaacson telling the truth? There were two possibilities. Isaacson might have seen him, gone with him, and be responsible for his disappearance; or he might have been mistaken. The man he saw might not have been Portman. The second possibility was the one which appealed to me. The fact remained, however, that Isaacson knew him well, therefore the man he took to be Portman must have wished to be taken for Portman, I argued. This would account for his hurrying on without speaking, since a closer investigation might have betrayed him. I looked for some fact to support this theory. I found it in Isaacson's statement that Portman wore glasses in the street on this occasion, which was unusual, so unusual, mark you, that Isaacson noticed it. Now, if my theory were right, it seemed possible that after Mr. Portman entered his room that afternoon he never left it. That he was there when Mrs. Eccles took in the tea-tray there could be no doubt; but that it was Mr. Portman who answered through the locked door was another matter.
"Such a fantastic theory required strong support," the professor went on. "The clerk helped me. When he came into the house that afternoon and gave his clerk instructions about certain papers Mr. Portman was snappy, his usual self, in fact, and, incidentally, he proved that he had no intention of being away from the office on the following day; when he left the house he was quite different, genially wishing the clerk good night. Wigan, a man slightly overplaying his part would be likely to do that, especially as he wanted the clerk to be in a position to say that his master had gone out at a certain hour. He was bound to draw the clerk's attention to himself, so he did it with a cordial good night. Knowing that Mr. Portman wore glasses, he would also wear them, even in the street."
"But the clerk would have seen it was not Mr. Portman," I objected.
"That was a difficulty," said Quarles. "It was a foggy afternoon, we know, and would be dark in the passage, but hardly dark enough to deceive the clerk. Another difficulty was how a stranger could get into the house without being seen. Both difficulties vanished when the clerk told us of the man who called selling patent files. He had a bag, Wigan, containing more than samples of files, I warrant—means of disguise as well. We know how easy it is to let the front door slam and remain in the house. I think the file seller practiced the same trick we did. Even to going to Portman's room and hiding behind the screen. You see, the office windows are frosted, so the clerk cannot see whether anyone leaving the office passes into the street or not. If there is something fantastic in this theory, let me pursue it to the end. If I am right, one thing is certain: this file seller knew Portman well. He must have come prepared to make himself up like him. He was able to answer Mrs. Eccles when she knocked at the door and deceive her. Granted that he knew Mr. Portman well, we may assume that he was in some way associated with him in business. Only one man left that room, therefore, as things stand, we may assume that these two men were enemies who had once been friends. Here let me be imaginative for a moment. Mr. Portman was expecting a friend to dine with him on the following night, an important person, since the feast to be prepared was, according to Mrs. Eccles, somewhat elaborate. The sumptuousness of a feast may mean great friendship, but it may be used to hide intense enmity. You read such things in the history of the Medici of Florence. I believe, Wigan, that the feast was prepared for this same file seller, that the wine, which Mr. Portman was looking after himself, remember, would have proved unwholesome for the guest, who, distrusting Portman, came a day earlier and removed his enemy."
"A little imaginative," I said.
"Imagination bridges the intervals between facts," Quarles answered. "We get again to a fact—the iron-bound chest. It links the two men together. I have no doubt the file seller knew of its peculiar mechanism as well as Portman did. You could not open it, and, since the key was in the lock, no mystery about it, you naturally did not think it of much importance. When together we succeeded in opening it I found on the floor of it a tiny stain. I thought it was a blood stain, but I was not sure. At any rate, the measurements of the chest were such that a body might be pressed in it. Frankly, I admit I expected to see Portman's body when we raised the lid. For the sake of some documents—it is impossible to say what they were—I believed this file seller had murdered Portman, taken his key, opened the safe, taken the papers he wanted, thrust the body into the chest, and had then departed in the character of his victim, flinging the safe key under the bookcase as he went. As there was no body I wondered whether Mrs. Eccles or the clerk, or both, were accomplices of the murderer; whether that chest might not conceal a secret entrance to the room. The idea did not fit my theory very well, but I laid a trap, and you know the result, Wigan. The action of shutting that chest opens the bottom of it, so that whatever is placed in it falls out as soon as the lid is closed and locked. I believe the body of Portman was in it and had got caught somehow—that was why you could not open it, why we could not open it until we had hammered it about, and by constant working upon the lid had released the body. I feel certain that chest had its home in Florence; that is why I suggest an Italian may be the criminal. He may have been long resident in England, of course; certainly he is a man who speaks English perfectly, or the clerk would have described him as a foreigner."