"Will you give me the key of those rooms? I want to see that everything is prepared."

The old woman fumbled in her pocket and gave him the key without a word.

"She comes to-morrow," said Latour. "You will not fail to do as I have asked and look after her well."

"Never fear; she shall be a pretty bird in a pretty cage."

Latour paused as he reached the door. "She is a dear friend, no more nor less than that, and this is a nest, not a cage. Do you understand?"

The old woman nodded quickly, and when he had gone, chuckled. She had lived long in the world, knew men well, and the ways of them with women. There might be some things about Citizen Latour which set him apart from his fellows, but all men were the same concerning women.

Latour crossed the courtyard and went quickly up the stairs to the second floor. The rooms here corresponded with his own below, yet how different they were. Everything was fresh and dainty. Cheap, but pretty, curtains hung before the windows and about the alcove where the bed was. The furnishing was sufficient, not rich, yet showing taste in the choice; two or three inexpensive prints adorned the walls, and on the toilet table were candlesticks, a china tray, and some cut-glass bottles. The boards were polished, and here and there was a rug or strip of carpet; the paint was fresh and white—white was the color note throughout. Here was the greatest luxury possible to a shallow pocket, very different from Bruslart's room, yet with a character of its own. Latour had chosen everything in it with much thought and care. He had spent hours arranging and rearranging until his sense of the beautiful was satisfied. Now he altered the position of a rug, and touched a curtain by the bed to make it fall in more graceful folds. Then he sat down to survey his work as a whole.

Still there was the prick of conscience, not very sharp, indeed, and becoming less persistent as he argued with himself. The Raymond Latour of to-day was a different man from the old Raymond Latour, the poor student, the nobody. Was he not mounting the ladder rung by rung, higher and higher every day? He had been listened to in the Legislative Assembly, applauded; he was a man of mark in the Convention. He was still poor, and his ambition was not towards wealth. The road lay straight before him; it led to fame, he meant it also to lead to love. Give him love, and these little white rooms were all the kingdom he asked to reign in. Love, the only love that had ever touched him. He remembered its first coming. A restive horse, a young girl in a carriage and in danger. It was nothing to seize the horse, hold it, and quiet it; he had flushed and stammered when the girl had thanked him, all unconsciously casting the spell of her great beauty over him. Never again had he spoken to her. He was only a poor student, the child of simple folk in the country dead long ago; she was of noble birth, her home a palace, her beauty toasted at Versailles He saw her often, waiting to see her pass, and each day he thought of her, setting her on the high altar of his devotion. He knew that his must always be a silent worship, that she could never know it. Then suddenly had come the change, the tide of revolution. The people were the masters. He was of the people, of growing importance among them. The impossible became the possible. He had education, power he would have. Strong men have made their appeal to women, the world over, in every age. Why should not this woman love him? The very stars seemed to have fought for him. She would be here to-morrow, here in Paris, in danger; here, in these rooms, with no man so able to protect her as himself. He had spoken among his fellows and won applause, could he not speak to just one woman in the world and win love?

"This is a nest, not a cage," he murmured. "To-morrow, I shall speak with her to-morrow."

It must have been almost at this same moment that Pauline Vaison flung open the window and Lucien Bruslart looked in the direction of her pointing finger toward the Place de la Revolution.