"Yes; and it's a short walk from here to the last yard we crossed. It usually happens there." And the jailer made a suggestive downward sweep with his arm.
"Axe or sword?" asked Herrick.
"Sword. Unless they decide to make an especial example in your case, then they're likely to hang you over the great gateway."
"Am I sufficiently important for that, think you?"
"I've known a dead sparrow on a string scare away much finer birds," the jailer answered; "but at any rate you're no white-livered man, and I shouldn't grieve to see you cheat both sword and rope."
"Thanks for your good will," said Herrick. "Who knows, I may live to speak a comforting word to you. I will be honest with you, I had not appreciated the full extent of the lady's humor."
With something like a salute, deference to the prisoner's courage, the jailer departed, and the key grated harshly in the lock as the bolts shot home.
High up near the roof there was a deep-set window through which the moonlight came. The tower could not be shut in by high walls, therefore, and probably was one of the outer towers of the castle. From that window possibly a prisoner might look into a free world, reach it, perhaps, if age had worn the bars loose in their stone sockets. A moment later Herrick felt certain that only this single wall held him from freedom, for the music of the carillon burst upon his ears. His fancy made the moonbeams the path along which the music travelled. But the window was unattainable. The rounded walls were almost as smooth as if the surface had been polished, and the cell was bare of everything but the heap of straw in the comer.
"My first night in Vayenne," he muttered, and some of the bravery with which he had addressed the jailer was wanting. The moonlight was upon his face as he spoke, a serious face just now, although neither hopelessness nor despair was in it. It could hardly be called a handsome face, yet it was one to remember. They were good, steady eyes, and if the nose and mouth were not an artist's ideals of beauty, in the whole face the artist would have found attraction. It was strong, forceful, fashioned in an uncommon mould; it was a face apart rather than one of a type, a strong family possession which to strangers had often marked him for a Herrick.
"My first night in Vayenne," he repeated as he began to pace his narrow cell slowly. How long ago it seemed since he had first seen the city from the brow of the hills. How much had happened in the few short hours since then, and yet one incident stood out more clearly than all the rest, the woman leaning from her horse to look into the face of a spy. Even now her contempt hurt him. It was hateful to appear mean in her eyes. All else that had happened to him seemed of little account beside this. The moment his eyes had rested upon her there had sprung a desire in his soul to serve her. In that service he felt himself capable of much, yet she despised him. A little touch of sympathy had shown in her face for a moment when he handed her the whip, but it had no power to obliterate the contempt. That was her true feeling toward him, the other was but the passing pity which a woman may have even for a coward.