I purpose, as well as I may, to recount this whole extraordinary business exactly as it unfolded itself to me, rather than to attempt a consecutively ordered narrative; and whatever it may lose in the way of skilfull story-writing, it will at least have the solid advantage of being the plain truth, plainly told. I am quite certain that no one except myself is in a position to tell of this journey and I am equally certain that I would rather die tomorrow than go through again the unspeakable horrors which I experienced.

So much for myself, and I will pick out of all this jumble of amazing happenings with their tragic climax, the episode of my stay in the hospital near Epernay as being a convenient and appropriate starting-point for my tale.

This hospital, as it turned out, was the one where Tom had spent upwards of a month recovering (according to the American newspapers) from a “slight wound.” The “slight wound,” as I learned, had all but killed him. A cruel wound in the head it was, received in an exploit which was only less extraordinary than the one which shortly afterward put an end to his career.

I mean to tell you of this incident as I learned it from the surgeons and nurses, and also of one or two still earlier adventures of the young flyer which I heard of while I was under treatment.

But first I must tell you of an experience of my own which put me in the way of learning these things and laid the foundation, as I might say, for my learning other things.

I was gassed. I have read various accounts of how people act and feel when they are gassed and I have seen an actor in the movies demonstrate these agonies by many graceful contortions, but the only thing that I can remember about the actual occurrence was that my head felt just as one’s foot feels when it is “asleep.” I remember trying to shake my head, just as one shakes his foot.

I suppose I was not gassed very badly or I would not be here now. In the days of my suffering I was told that I had only myself to blame which, of course, was a great consolation to me. I do not know what became of my mask, but I still have my fountain pen and I should like to show it to you. The silver filigree work which covers it is changed to a rich green color, making the whole thing very beautiful and altogether unique. Fritzie did this with his abominable gas. I do not know what kind of gas it was, but I treasure my pen as being a sample of clever artcraft work, made by the Germans—though not made in Germany.

CHAPTER III

Tells how I looked at the Scuppers through a field glass, and of how I resolved on a very hazardous enterprise.

I must tell you in some detail of this experience of my own since, as I said, the whole story hangs upon it.