Copyright, 1914. By E. O. Thalinger, St. Louis

150,000 SPECTATORS OF THE PAGEANT AND MASQUE OF SAINT LOUIS,
IN WHICH 7,500 CITIZENS TOOK PART, MAY, 1914
[IN BACKGROUND, CENTRE, THE STAGE; RIGHT AND LEFT, TENTS OF ACTORS]

To the Shakespeare Celebration of New York, since its origin last year in activities of the Drama League, Miss Mary Porter Beegle, of Barnard College, has contributed her unflagging zest and enthusiasm, Mr. Howard Kyle his disinterested, manifold services, Miss Kate Oglebay her remarkable thoroughness in organizing the Supplementary Celebrations.

In his original and deeply based work of experiment, through channels of the People’s Institute and the School for Community Centre Workers, Mr. John Collier has shown fundamental leadership in a field all-important to the community purposes of this Masque: the modern economics and organization of coöperative art.

As this Foreword goes to press, Prof. Richard Ordynski has joined Mr. Urban in the work of the Masque’s New York production.

To Mr. Everard Thompson, producers and committees alike are indebted for his unfailing, friendly resourcefulness.

As references to the reader curious to study the art of the theatre in the eras touched upon in these Interludes, a lengthy Bibliography might well be submitted. For this Foreword, it may suffice to refer to three very useful works, in several volumes, viz: “The Drama,” Editor Alfred Bates, Historical Publishing Company

The beneficial possibilities of community festival art and organization are, of course, commensurate with the time and opportunity afforded for their development. As mentioned in the Preface, the time for the New York production has, by unavoidable circumstance, become far too brief to accomplish, between the present date and the 23rd of May the deep social reactions potential in this festival. A year, instead, for the work of preparation would be none too much. It is hoped, however, that the production of this Masque may at least help to establish the festival movement in New York on a sound and perennial community basis.

Percy MacKaye.