“Don't remember him, eh? Well, perhaps he wasn't from San Pasqual. But I thought I'd ask you, anyhow, because if he was from this town it was a good chance he bought this hat from you. Much obliged, just the same,” and gathering up his change the express messenger departed to make room for Harley P. Hennage, who was standing next in line to pay his meal-check.
Donna opened her eyes and sighed—a little gasping sob, and turned her quivering face to the gambler. He smiled at her, striving pathetically to do it naturally. Instead, it was a grimace, and there was the look of a thousand devils In his baleful eyes. For an instant their glances met—and there were no secrets between them now. Donna moaned in her wretchedness; she placed her arm on the cash register and bowed her head on it, while the other little trembling hand stole across the counter, seeking for his and the comfort which the strong seem able to impart ito the weak by the mere sense of touch.
“Oh, Harley, Harley” she whispered brokenly, “the light's—gone out—of the world—and I can't—cry. I—I—I can't. I can—only—suffer.”
Harley P.'s great freckled hand closed over hers and held it fast, while with his other hand he touched her beautiful head with paternal tenderness.
“Donnie” he said hoarsely. She did not look up. “I'm sorry you're not feelin' well, Donnie. You're all upset about somethin', an' you ought to go home an' take a good rest. You don't—you don't look well. I noticed it last night. You looked a mite peaked.”
“Yes, yes” she whispered, clutching at this straw which he held out to her, “I'm ill. I want to go home—oh, Mr. Hennage, please—take me—home.”
Mr. Hennage turned and beckoned to one of the waitresses whose duty it was, on Donna's days off, to take her place at the cash counter. As the waitress started to obey his summons, the gambler turned and spoke to Donna.
“Buck up and beat it. I can't take you home, an' neither can anybody else. You've got to make it alone. When you get to the Hat Ranch, send Sam Singer up to me. Remember, Donnie. Send Sam Singer up.”
He turned again to the waitress. “You'd better take charge here” he said. “Miss Corblay's been took sick an' the pain's somethin' terrible. I've been a-tellin' her she ought to have Doc Taylor in to look at her. If I had the pain that girl's a-sufferin' right now I'd be in bed, that's what I would. I'll bet a stack o' blues she got this here potomaine poisonin'. Better run right along, Miss Donnie, before the pain gets worse, an' I'll see Doc Taylor an' tell him to bring you down some medicine or somethin'.”
Donna replied in monosyllables to the excited queries of the waitress, pinned on her hat and left the eating-house as quickly as she could. She was dry-eyed, white-lipped, sunk in an abyss of misery; for there are agonies of grief and terror so profound that their very intensity dams the fount of tears, and it was thus with Donna. Harley P. accompanied her to the door of the eating-house, but he would go no further. He realized that Donna wanted to talk with him; in a vague way he gathered that she looked to him for some words of comfort in her terrible predicament. Not for worlds, however, would he be seen walking with her in public, thereby laying the foundation for “talk”; and under the circumstances he realized the danger to her, should he even be seen conversing with her from now on. She pleaded with him with her eyes, but he shook his head resolutely. He had heard the news. Inadvertently he had stumbled upon her secret, and she knew this. But she knew also that never by word or sign or deed would Harley P. Hennage indicate that he had heard it. It was like him to ascribe her agitation to illness, and as she turned her heavy footsteps toward the Hat Ranch the memory of that loving lie brought the laggard tears at last, and she wept aloud. In her agony she was conscious of a feeling of gratitude to the Almighty for His perfect workmanship in fashioning a man who was not one of the presuming kind.