For perhaps half an hour she conversed with Harley P., much to that careless soul's discomfort, for he was terribly afraid of affording the San Pasqualians grounds for “talk.” And as she waited the moon arose, lighting up the half mile of track that led past the Hat Ranch; and Fate, under whose direction all the dramas of life are staged, gave the cue to the Leading Man.
He entered San Pasqual, riding down through the desert from Owens river valley. But he was not in the least such a Leading Man as Donna had pictured in her dreams. He was tall enough but his hair was not crisp and curly and golden. Most people would have called it red. Not, praise be, a carroty red, a dull negative, scrubby red, but a nicer red than that—dark auburn, in fact. And he had an Irish nose and an Irish jaw and Irish eyes of bonny brown. In but one particular did he resemble the dream man. He did have a cleft in his chin. But even that was none of nature's doing. A Mexican with a knife was solely responsible. Yet, worse than all of these disappointments is the fact that his name was not Gerald Van Alstyne. No, indeed. The Leading Man owned to the plain, homely, unromantic patronymic of Bob McGraw. The only thing romantic and—er—literary about Bob McGraw was his Roman-nosed mustang, Friar Tuck—so called because he had been foaled and raised on a wooded range near Sherwood in Mendocino county. As a product of Sherwood forest, Mr. McGraw had very properly christened him Friar Tuck, and as Friar Tuck's colthood home lay five hundred miles to the north, it will be seen that Mr. McGraw was a wanderer. Hence, if the reader is at all imaginative or inclined to the science of deduction, he will at one mental bound, so to speak, arrive at the conclusion that Bob McGraw, if not actually an adventurous person, was at least fond of adventure—which amounts to the same thing in the long run. Most people who read Robin Hood are, as witness Mr. Tom Sawyer.
The moon was coming up just as the red-headed young man from Owens river valley rode into San Pasqual. As he approached the railroad hotel and eating-house he saw a girl emerge, and pause for a moment before walking out to climb aboard a track-walker's velocipede. In the light that streamed through the open door he saw her face, framed in a tangle of black wind-blown wisps of hair; so he reined in Friar Tuck and stared, for he—well! Most people looked twice at Donna Corblay, and the red-headed man was young.
So he sat his horse in the dribbling moonlight and watched her seize the handles of the lever and glide silently off into the night. He had been standing in the stirrups, leaning forward to look at her hands as they grasped the lever, and now he sat back in his saddle, much relieved.
“No wedding ring in sight” he mused. “My lady of the velocipede, I'll marry you, or my name's not Bob McGraw.”
Just then Mr. Harley P. Hennage appeared in the doorway. He saw Bob McGraw, recognized him, and immediately dodged back and went out another door. He wanted to rush out and shake hands with Mr. McGraw, of whom he was very fond, but we regret to state that Mr. McGraw owed Harley P. Hennage the sum of fifty dollars and had owed it for three years, and Mr. Hennage hesitated to seek Mr. McGraw out for purposes of friendship, fearing that Mr. McGraw might construe his advances as a roundabout dun. Ergo, Mr. Hennage fled.
Bob McGraw watched Donna Corblay, and when she was about three hundred yards distant and beyond the town limits, he saw that a switch had been left open, for the velocipede suddenly left the outside track, cut obliquely across several parallel rows of tracks before she could control it, and shot in behind a string of box cars. As the girl disappeared, three dark figures sprang after her and a scream came very faintly against the wind.
Bob McGraw laughed and drew a gun from under his left armpit.
“I'd ride to hell for you” he muttered joyously, and sank the rowels home in Friar Tuck.