"I always get a kick out of the view from here, miss," he informed her. "Can you beat it? You can't!"
The girl sat with parted lips.
"This—this is the California he loves," she thought.
She closed her eyes to keep back the tears, and the car rolled gently down the grade into the valley. From the tonneau she could catch snatches of the conversation between her father and the potato baron; they were discussing the agricultural possibilities of the valley, and she realized, with a little twinge of outrage, that its wonderful pastoral beauty had been quite lost on them.
As they swept past the mission, Kay deliberately refrained from ordering William to toss Don Mike's baggage off in front of the old pile, for she knew now whither the latter was bound. She would save him that added burden. Three miles from the mission, the road swung up a gentle grade between two long rows of ancient and neglected palms. The dead, withered fronds of a decade still clung to the corrugated trunks. In the adjoining oaks vast flocks of crows perched and cawed raucously. This avenue of palms presently debouched onto a little mesa, oak-studded and covered with lush grass, which gave it a pretty, parklike effect. In the center of this mesa stood the hacienda of the Rancho Palomar.
Like all adobe dwellings of its class, it was not now, nor had it ever been, architecturally beautiful. It was low, with a plain hip-roof covered with ancient red tiles, many of which were missing. When the house had first been built, it had been treated to a coat of excellent plaster over the adobe, and this plaster had never been renewed. With the attrition of time and the elements, it had worn away in spots, through which the brown adobe bricks showed, like the bones in a decaying corpse. The main building faced down the valley; from each end out, an ell extended to form a patio in the rear, while a seven-foot adobe wall, topped with short tile, connected with the ell and formed a parallelogram.
"The old ruin doesn't look very impressive from the front, Kay," her father explained, as he helped her out of the car, "but that wall hides an old-fashioned garden that will delight you. A porch runs all round the inside of the house, and every door opens on the patio. That long adobe barracks over yonder used to house the help. In the old days, a small army of peons was maintained here. The small adobe house back there in the trees houses the majordomo—that old rascal, Pablo."
"He is still here, dad?"
"Yes—and as belligerent as old billy-owl. He pretends to look after the stock. I ordered him off the ranch last week; but do you think he'd go? Not much. He went inside his shack, sorted out a rifle, came outside, sat down, and fondled the weapon all day long. Ever since then he has carried it, mounted or afoot. So I haven't bothered him. He's a bad old Indian, and when I secure final title to the ranch, I'll have the sheriff of the county come out and remove him."
"But how does he live, dear?"