In Pastures Green

by Peter McArthur

"Half way down,
Hangs one that gathers samphire, dreadful trade!"

But working with hay, thinking hay, and almost eating hay is not conducive to a flow of poetical quotations. By the time the stack was completed and the top weighted down with a piece of wire and a couple of blocks of unsplittable wood from the woodpile I was tired out in mind and body. As soon as I could I stumbled away to the tent and slept like a log until five a.m. on the following morning, when a fly with a club-foot limped across my nose and wakened me to another day of toil and building.

Many explanations have been offered of the trend of country people to the cities, but it is possible that the true source of the difficulty has been overlooked. Students of the problem have been too practical. They have discussed the difficulty in terms of dollars and cents and of hard labour. An idealistic observer with keener insight might lay the blame on our literature and art. For some generations compulsory education has been scattering the leaven of learning in the rural districts, and what are we offering the new army of readers and seekers for culture? We are offering them history, romance, and poetry in which war, statecraft, social eminence, artistic, poetic, and professional ability yield to heroic souls ample harvests of success, fame, and perhaps content.

Agriculture, the most essential of the world's industries, has not been touched by the true glamour of literature and art. Poets and writers who have dealt with it have given us creations in dialect, and artists who have illustrated this kind of literature have depicted a race of men and women in jeans and gingham. This is not the kind of thing calculated to rouse the ambition of country boys and girls. Their heroes are fair spoken, well dressed, and skilled in courtly manners. They feel that to develop themselves and to make the most of their lives they must away to the cities where the things that literature and art glorify may be found or accomplished.

You cannot expect young men of spirit to take to farming until it has been idealised. In the present condition of public taste they can only hope to figure in literature as stupid and sometimes amusing drudges, and in art as raw-boned monstrosities with whiskers in their ears. They dream of military uniforms, places on boards of directors, and well-dressed triumphs of all kinds that are adequately applauded by beautiful women dressed in the latest fashion. All our literature and art tends to foster these foolish dreams. It is vain for philosophers to preach the advantages of the simple life and for editors to preach the great duty of producing the world's food. Duty, the "stern daughter of the voice of God," is not popular with the young. They want life and action and joyousness, because literature and art have taught them that these are the things most to be desired, and they hurry to the cities to find them.

The art of living has not penetrated to the country, and you need not expect it to make progress until we have that new race of poets and writers and artists which Whitman foresaw, but of which he was not the protagonist. He sang the glories of work—but did not work much. Thoreau with all his cantankerousness came nearer to the new literature. His farming was all done to supply his own needs, and he foresaw the possibilities of leisure and ease in connection with farm life when he said: "No man need earn his bread in the sweat of his brow unless he sweats more easily than I do."

"If the farmers learn to get leisure and use it the old order will change, and instead of a new heaven and a new earth we shall have a new earth and a new heaven. The change will begin on the earth. When farmers learn to work for homes and well-rounded lives, instead of for money, a new race of artists and writers will spring from the soil and give us the much-needed literature and art of democracy. They will give a romantic glamour to country life, and culture, instead of being handed down from the heights, will be handed up, or rather we shall have to go back to the soil to get it. Most of the free and equal citizens of the country are born on the land, and it is probable that in the near future all the people on the land will be well educated."

When that time comes we shall have a new literature, art, and poetry, and the world will be given new ideals. Instead of the age of poetry being past, it is merely beginning to dawn.

July 25.—"Are you going to the raising?"