We drive for quite a quarter of an hour through woods, and here and there as we pass by different residences meet sentries marching up and down. We pass through several gates, all of them made of plain wooden bars—they might almost be in Leicestershire—each opened and closed by a Cossack. As we get nearer there are more sentries, and several times the password is given by the groom.
Alexandrovsky stands isolated in a quiet corner of the vast domain. Its home grounds are surrounded by walls and a kind of palisade. At last, having passed the last sentry and the last gate, the carriage stops at the private garden entrance.
I am received by an officer who shows me immediately into the palace—I ought to say villa. Villa indeed it is in every respect, and the entrance-hall is so small that it scarcely holds the few servants who are in attendance. The staircase is very narrow, too, and winds in exactly the same way as in small old-fashioned English houses.
The drawing-room gives the same impression of comfort and cheerfulness—the privileges of English homes. It is small, and with a rather low ceiling. The furniture is extremely plain. The few sofas and armchairs are covered with bright material, and the woodwork is lacquered white. The walls are covered with watercolours, sketches, and photographs. In one corner there stands a piano with music, and in the window a desk, apparently both much in use. The main feature of this room is the quantity of flowers. Tables, brackets, and furniture, are laden with jars, vases, and bowls filled with fresh-cut, sweet-smelling flowers.
But I have no time for further observations or to analyze more minutely this bright, homely abode in all its detail, giving as it does such a good insight into the private life of its owners. Simple, bright, unassuming, it is a sincere illustration of domestic happiness; and with its writing-desk littered with papers, its piano covered with music, and tiny jars and vases full of sweet-smelling blossoms, it is a human document in itself.
The door opens and an imposing A.D.C. enters and announces that His Majesty is ready to receive me. He is one of the Grand Dukes on duty at the palace for the day. He is a first cousin of the Emperor, an officer in the Russian army, and a most accomplished linguist. He narrated to me many interesting details of his yachting tour in far-distant seas. He had just returned from India, and seemed much impressed by the beauties of that wonderful land.
A bell begins to ring, a signal that the Emperor is ready to receive me. I am shown into the next room, which is even smaller and simpler than the one which I have just left. In its extreme modesty the furniture seems to be reduced to a few chairs, a lounge, and a large writing-table which occupies the greater part of the room.
This is His Majesty's study.
But if the interior is so very unassuming, the view out of the windows is simply magnificent; it looks straight on to the sea—a grey and shining mirror, crowned by the dark battlements of majestic Kronstadt. The famous citadel floats like a mirage in the blue haze of the distance, looking even finer than usual as I see it from one of the Tsar's windows.
The room is so small that there is no space to make the obligatory three bows. I have scarcely stepped into the room when His Majesty gets up and meets me himself with his well-known affability. Nicholas II wears the undress uniform of a Russian general—dark blue and green, with a very little gold lace, and a single medal on his breast—a modest garment, subdued in colouring, suited very well in every respect to its owner.