III.


Le Soldat ordonne a embasicetas de m'accabler de ses impurs baisers.
[The soldier ordered the catamite to beslaver me with his stinking kisses.]

One of the reasons which caused the learned and paradoxical Hardouin to assert that all the works which have been attributed to the ancients, with the exception of the Georgics and the Natural History of Pliny, were the compositions of monks, was doubtless the very frequent repetition of scenes of love for boys, which one notices in most of these writings: this savant was a Jesuit. But this taste is not peculiar to convents; it is to be found among all peoples and in all climates; its origin is lost in the night of the centuries; it is common in the most polished nations and it is common among savage tribes. Profound philosophers have argued in favor of it; poets have sung the objects of this sort of love in their tender and passionate compositions, and these compositions have always been the delight of posterity. What stupid or unfeeling reader can read without emotion that beautiful eclogue of Virgil where Corydon sighs his hopeless love for the beautiful Alexis? The most passionate ode of Horace is that one in which he complains of the harshness of Ligurinus. The tender Tibullus, deceived by his Marathus, brings tears to all who have hearts. The delicate Anacreon, praising his Bathylle, and the valiant Alceus giving himself up after his labors in war to sing of the dark eyes and black hair of Lycus . . . "with dark eyes and black hair beautiful." It is not to over-civilized refinements of society which, according to certain misanthropists, degrade nature and corrupt it, that this taste is due; it is found among the south sea islanders, and the evidence of the first Spaniards attests that it was common among the hordes of American Indians before the discovery of the new world. Paw had attempted to explain this as resulting from defects in the formation of the organs of pleasure among the natives; but a peculiar cause is not sufficient explanation for a universal effect.

At the time of the Patriarchs, Greek love was so general that in the four cities, Sodom, Gomorrah, Adama, and Seboim, it was impossible to find ten men exempt from the contagion; that number would have sufficed, said the Lord, to withhold the punishment which he inflicted upon those cities.

It should be noted here that most of the assertions about the morals of the Israelites which are to be found in the Erotica Biblon of Mirabeau are either false or pure guesswork. It is a bizarre method of judging the morals of a people, that of taking their legal code and inferring that the people were accustomed to break all the laws which are forbidden by that code. Nevertheless, that is the method which the author of the Erotica Biblon adopts for portraying the morals of the Jewish people. Again, he has not even understood this code; he has believed that the law against giving one's seed to the idol Moloch meant giving the human semen; and he is ignorant of the fact that this seed, as spoken of in the Bible, means the children and descendants. Thus it is that the land of Canaan is promised to the seed of Abraham, and the perpetuity of the reign on Sion to that of David. Moloch was a Phoenician deity, the same one to which, in Carthage, they sacrificed children; the Romans believed him to be a reincarnation of their Saturn, but Saturn was an Etruscan divinity who could never have had any connection with the Gods of Phoenicia. He (Mirabeau) has translated "those who polluted the temple" as meaning those who were guilty of some obscenity in the temple; and he does not know that the temple was "polluted" by a thousand acts, declared impure by law, and which were not obscene. The entrance of a woman into a sacred place, less than forty days after her accouchement, or the entrance of a man who had touched an impure animal, constituted a pollution of the House of the Lord. When one wishes to make a parade of erudition he should make some attempt to understand the things which he pretends to make clear to others. Or is it that this Mirabeau was merely careless?

The love of boys was so thoroughly the fashion in Greece that we have today given it the name "Greek Love." Orestes was regarded as the "good friend" of Pylades and Patroclus as the lover of Achilles. In this taste, the Gods set the example for mortals, and the abduction of Ganymede for the service of the master of thunder, was not the least cause for annoyance given the chaste but over-prudish Juno. Lastly, Hercules was not content with the loves of Omphale and Dejanira, he also loved the beautiful Hylas, who was brought up by the nymphs.

The Greeks boasted, without blushing, of this love, which they considered the only passion worthy of men, and they did blush at loving a woman, intimacy with whom, they said, only rendered her adorers soft and effeminate. In the Dialogue of Plato, entitled "The Banquet," which is concerned entirely with discussions of the various forms of love, they dismiss love for women as unworthy of occupying the attention of sensible men. One of the speakers, I believe it was Aristophanes, explaining the cause of this fire which we kindle in the bosoms of our loved ones, affirms that the first men were doubles which multiplied their force and their power. This, they abused and, as punishment, Jupiter struck them with lightning and separated them. By their love for each other they came together again to regain their primitive state. But the effeminates sought out only the women because they were only half men, half women; while those whose tastes were masculine and courageous wanted to become double men again.

Phedre has put into the mouth of AEsop an explanation of that love which would certainly not have been relished by the Greeks. He says that while Prometheus was occupied with modelling his man and woman, he was invited to a feast given by Jupiter, to the Gods; he came back intoxicated and, by mistake, applied the sexual parts of one to the body of the other.

For the rest, the Greeks were all in accord in their profound contempt for women. The theatrical writers, especially, who studied more particularly the general opinions and catered to them in order to obtain the applause of the public, were distinguished by their bitterness against the sex. Euripides maintained that Prometheus deserved to be chained to Mount Caucasus with the vulture gnawing at his entrails, because he had fashioned a being so pernicious and hateful as woman. The shade of Agamemnon, in the Odyssey advised Ulysses not to put any faith in Penelope and did not stop talking until he had enumerated the entire list of the vices of the sex. The first Latin authors imitated the Greeks in their invectives against women; the comedies of Plautus, especially, teem with virulent attacks upon them.

At Rome, however, the great freedom permitted to women, soon brought about other opinions in regard to them; they often played an important role in public and private affairs, and the men convinced themselves that, like men, women were capable of the greatest crimes and of the most heroic virtues. The noble stoicism of Arria is not the only example of courageous virtue displayed by the Roman women at a time when crowned monsters governed the empire. The young Paulina opened her veins with her husband, the philosopher, Seneca; Mallonia preferred to die in torments rather than give herself up to the odious he-goat of Capri. Who does not admire the noble independence, the conjugal love, and the matronly virtues of Agrippina, the wife of Germanicus?