Why should it ever be considered obligatory upon a man to amuse himself in some way settled by others? There appear to be two principal reasons for this. The first is, that when amusements are practised by many persons in common it appears unsociable and ungracious to abstain. Even if the amusement is not interesting in itself it is thought that the society it leads us into ought to be a sufficient reason for following it.
The second reason is that, like all things which are repeated by many people together, amusements soon become fixed customs, and have all the weight and authority of customs, so that people dare not abstain from observing them for fear of social penalties.
If the amusements are expensive they become not only a sign of wealth but an actual demonstration and display of it, and as nothing in the world is so much respected as wealth, or so efficient a help to social position, and as the expenditure which is visible produces far more effect upon the mind than that which is not seen, it follows that all costly amusements are useful for self-assertion in the world, and become even a means of maintaining the political importance of great families.
On the other hand, not to be accustomed to expensive amusements implies that one has lived amongst people of narrow means, so that most of those who have social ambition are eager to seize upon every opportunity for enlarging their experience of expensive amusements in order that they may talk about them afterwards, and so affirm their position as members of the upper class.
The dread of appearing unsociable, of seeming rebellious against custom, or inexperienced in the habits of the rich, are reasons quite strong enough for the maintenance of customary amusements even when there is very little real enjoyment of them for their own sake.
But, in fact, there are always some people who practise these amusements for the sake of the pleasure they give, and as these people are likely to excel the others in vivacity, activity, and skill, as they have more entrain and gayety, and talk more willingly and heartily about the sports they love, so they naturally come to lead opinion upon the subject and to give it an appearance of earnestness and warmth that is beyond its real condition. Hence the tone of conversation about amusements, though it may accurately represent the sentiments of those who enjoy them, does not represent all opinion fairly. The opposite side of the question found a witty exponent in Sir George Cornewall Lewis, when he uttered that immortal saying by which his name will endure when the recollection of his political services has passed away,—“How tolerable life would be were it not for its pleasures!” There you have the feeling of the thousands who submit and conform, but who would have much to say if it were in good taste to say anything against pleasures that are offered to us in hospitality.
Amusements themselves become work when undertaken for an ulterior purpose such as the maintenance of political influence. A great man goes through a certain regular series of dinners, balls, games, shooting and hunting parties, races, wedding-breakfasts, visits to great houses, excursions on land and water, and all these things have the outward appearance of amusement, but may, in reality, be labors that the great man undertakes for some purpose entirely outside of the frivolous things themselves. A Prime Minister scarcely goes beyond political dinners, but what an endless series of engagements are undertaken by a Prince of Wales! Such things are an obligation for him, and when the obligation is accepted with unfailing patience and good temper, the Prince is not only working, but working with a certain elegance and grace of art, often involving that prettiest kind of self-sacrifice which hides itself under an appearance of enjoyment. Nobody supposes that the social amusements so regularly gone through by the eldest son of Queen Victoria can be, in all cases, very entertaining to him; we suppose them to be accepted as forms of human intercourse that bring him into personal relations with his future subjects. The difference between this Prince and King Louis II. of Bavaria is perhaps the most striking contrast in modern royal existences. Prince Albert Edward is accessible to everybody, and shares the common pleasures of his countrymen; the Bavarian sovereign is never so happy as when in one of his romantic and magnificent residences, surrounded by the sublimity of nature and the embellishments of art, he sits alone and dreams as he listens to the strains of exquisite music. Has he not erected his splendid castle on a rock, like the builder of “The Palace of Art”?
“A huge crag-platform, smooth as burnish’d brass
I chose. The ranged ramparts bright
From level meadow-bases of deep grass
Suddenly scaled the light.
“Thereon I built it firm. Of ledge or shelf
The rock rose clear, or winding stair.
My soul would live alone unto herself
In her high palace there.”
The life of the King of Bavaria, sublimely serene in its independence, is a long series of tranquil omissions. There may be a wedding-feast in one of his palaces, but such an occurrence only seems to him the best of all reasons why he should be in another. He escapes from the pleasures and interests of daily life, making himself an earthly paradise of architecture, music, and gardens, and lost in his long dream, assuredly one of the most poetical figures in the biographies of kings, and one of the most interesting, but how remote from men! This remoteness is due, in great part, to a sincerity of disposition which declines amusements that do not amuse, and desires only those real pleasures which are in perfect harmony with one’s own nature and constitution. We like the sociability, the ready human sympathy, of the Prince of Wales; we think that in his position it is well for him to be able to keep all that endless series of engagements, but has not King Louis some claim upon our indulgence even in his eccentricity? He has refused the weary round of false amusements and made his choice of ideal pleasure. If he condescended to excuse himself, his Apologia pro vitâ sua might take a form somewhat resembling this. He might say, “I was born to a great fortune and only ask leave to enjoy it in my own way. The world’s amusements are an infliction that I consider myself at liberty to avoid. I love musical or silent solitude, and the enchantments of a fair garden and a lofty dwelling amidst the glorious Bavarian mountains. Let the noisy world go its way with its bitter wranglings, its dishonest politics, its sanguinary wars! I set up no tyranny. I leave my subjects to enjoy their brief human existence in their own fashion, and they let me dream my dream.”
These are not the world’s ways nor the world’s view. The world considers it essential to the character of a prince that he should be at least apparently happy in those pleasures which are enjoyed in society, that he should seem to enjoy them along with others to show his fellow-feeling with common men, and not sit by himself, like King Louis in his theatre, when “Tannhauser” is performed for the royal ears alone.