"Now what is't?" said old Sarah, in a whisper.
"Master's deead: he's fallen down th' cellar-steps and killed hisself."
Old Sarah had been fully prepared for some terrible communication of this kind, and did not utter a syllable. She simply followed the man, and between them they lifted Mr. Ogden, and carried him, not without difficulty, up the cellar-steps. Sarah carried the head, and Jim the legs and feet, and old Sarah's bed-gown was stained with a broad patch of blood.
It is one of the most serious inconveniences attending a residence in the country that on occasions of emergency it is not possible to procure prompt medical help; and Twistle Farm was one of those places where this inconvenience is felt to the uttermost. When they had got Mr. Ogden on the bed, Jim said, "I mun go an' fetch Dr. Bardly, though I reckon it's o' no use;" and he left Sarah alone with the body.
The poor woman anticipated nothing but a dreary watch of several hours by the side of a corpse, and went and dressed herself, and lighted a fire in Mr. Ogden's room. Old Sarah was not by any means a woman of a pusillanimous disposition; but it may be doubted whether, if she had had any choice in the matter, a solitary watch of this kind would have been exactly to her taste. However, when the fire was burning briskly, she drew a rocking-chair up to it, and, in order to keep up her courage through the remainder of the night, fetched a certain physic-bottle from the kitchen, and her heavy lead tobacco-pot, for like many old women about Shayton she enjoyed the solace of a pipe. She did not attempt to lay out the body, being under the impression that the coroner might be angry with her for having done so when the inquest came to be held.
The physic-bottle was full of rum, and Sarah made herself a glass of grog, and lighted her pipe, and looked into the fire. She had drawn the curtains all round Mr. Ogden's bed; ample curtains of pale-brown damask, with an elaborate looped valance, from whose deep festoons hung multitudes of little pendants of turned wood covered with flossy silk. The movement communicated to these pendants by the act of drawing the curtains lasted a very long time, and Sarah was startled more than once when on looking round from her arm-chair she saw them swinging and knocking against each other still. As soon as the first shock of alarm was past, the softer emotions claimed their turn, and the old woman began to cry, repeating to herself incessantly, "And quite yoong too, quite yoong, quite a yoong man!"
Suddenly she was aware of a movement in the room. Was it the little dog? No; Feorach had elected to stay with his young master, and both little Jacob and his dog were fast asleep in another room. She ventured to look at the great awful curtained bed. The multitudinous pendants had not ceased to swing and vibrate, and yet it was now a long time since Sarah had touched the curtains. She wished they would give up and be still; but whilst she was looking at them and thinking this, a little sharp shock ran round the whole valance, and the pendants rattled against each other with the low dull sound which was all that their muffling of silk permitted; a low sound, but an audible one,—audible especially to ears in high excitement; a stronger shock, a visible agitation, not only of the tremulous pendants, but even of the heavy curtain-folds themselves. Then they open, and Mr. Ogden's pale face appears.
"Well, Sarah, I hope you've made yourself comfortable, you damned old rum-drinking thief! D'ye think I can't smell rum? Give me that bottle."
Sarah was much too agitated to say or do any thing whatever. She had risen from her chair, and stood looking at the bed in speechless amazement. Mr. Ogden got up, and walked towards the fire with an unsteady pace. Then he possessed himself of the rum-bottle, and, putting it to his lips, began to swallow the contents. This brought Sarah to herself.
"Nay, nay, master: you said as you wouldn't drink no sperrits at Twistle Farm upo' no 'count."