E-text prepared by Juliet Sutherland, Linda Cantoni,
and the Project Gutenberg Online Distributed Proofreading Team

SYMPHONIES AND THEIR MEANING

THIRD SERIES MODERN SYMPHONIES.

BY PHILIP H. GOEPP

1913

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PREFACE

Criticism of contemporary art is really a kind of prophecy. For the appreciation of the classical past is an act of present perception, not a mere memory of popular verdicts. The classics live only because they still express the vital feeling of to-day. The new art must do more,—must speak for the morrow. And as the poet is a kind of seer, the true critic is his prophetic herald.