Hab. Paraguay, Uruguay, and Argentine Republic.

Azara has not failed to remark that it would be well to find a more appropriate name for this species, which was absurdly called “Calandria” (i. e. Sky-Lark) by the early colonists of the Plata. Use is, however, too strong to be easily set aside, and the name is now familiar to everyone in the Argentine Province. Moreover, by a curious irony of fate, the Spanish naturalist himself, by employing this unsuitable name in his ‘Apuntamientos,’ even while protesting against it, has been the cause of its introduction into scientific nomenclature.

It would be impossible to improve on the account Azara gives of the bird’s appearance and manners. The prevailing colour of the plumage is grey, the irides are deep green, the beak black, slender, and curved. The tail is long, jerked and elevated when the bird is at rest, spread open and depressed in flight. The Calandria’s movements are measured and dignified, its flight low and never extends far, the bird usually passing from one tree to another in a long graceful curve. It goes alone or with its mate only; feeds chiefly on the ground; does not penetrate into deep forests, nor is it seen on the treeless plains. It frequents the borders of woods and open grounds abounding in isolated shrubs and trees; is fond of coming about houses, and invariably perches itself on the most conspicuous places. It sings chiefly in spring, and its really wonderful vocal powers have made it one of our best-known and most-admired songsters. To sing it usually places itself on the summit of a bush or tree, and occasionally, as if carried away by excitement, it darts upwards three or four yards into the air, and then drops back on to its perch. So varied are its notes, and so frequently suggestive of the language of other species, that the listener finds himself continually asking whether the Calandria is really an original singer or merely a cunning plagiarist, able to steal scraps of fifty different melodies and to blend them in some sort into one complete composition. As a whole the song is in character utterly unlike that of any other bird (birds of the Mimus genus, of course, excepted), for the same notes are never repeated twice in the same order; and though the Calandria has many favourite notes, he is able to vary every one of them a hundred ways. Sometimes the whole song seems to be made up of imitations of other singers, with slight variations—and not of singers only, for now there will be clear flute-like notes, only to be succeeded by others reedy and querulous as the hunger-calls of a young Finch; then there will be pretty flourishes or Thrush-like phrases, and afterwards screams, as of a frightened Swallow hurrying through the sky to announce the approach of a Falcon; or perhaps piteous outcries, as of a chicken in the clutches of a Kite.

Nevertheless Azara says truly that the Calandria does not mock or mimic the songs of other birds; for though the style and intonation of a score of different singers, chatterers, and screamers are reproduced by him, one can never catch a song, or even a portion of a song, of which he is able to say that it is absolutely like that of any other species. This much, however, can be said of the Calandria: he has a passion for endless variety in singing, a capacity for varying his tones to almost any extent, and a facility for catching the notes of other birds, which, in the Virginian Mocking-bird of North, and in the White-banded Mocking-bird of South America, has been developed into that marvellous faculty these two species possess of faithfully imitating the songs of all other birds. The two species I have just named, while mockers of the songs of other birds, also retain their own original music—their “natural song,” as an American ornithologist calls it.

The Calandria makes its nest in the middle of a large bush or low thorn-tree standing by itself; it is deep, like the nest of a Thrush in form, built of sticks, thorns, and grass, and lined with thistle-down or some other soft material. The eggs are four or five, pale blue, and thickly marked with reddish-brown spots.

When the nest is approached the parent birds demonstrate their anxiety by uttering loud harsh angry notes.

It is generally believed that the Calandria will not live in captivity. I have, however, seen a few individuals in cages, but they never sang.

[7.] MIMUS PATACHONICUS (d’Orb. et Lafr.).
(PATAGONIAN MOCKING-BIRD.)

Mimus patachonicus, Scl. et Salv. Nomencl. p. 3; Hudson, P. Z. S. 1872, p. 538 (Rio Negro); Durnford, Ibis, 1877, p. 31 (Chupat); Döring, Exp. al Rio Negro, Zool. p. 36 (R. Colorado); Sharpe, Cat. B. vi. p. 352. Mimus thenca, Burm. La-Plata Reise, ii. p. 475 (Mendoza)?