From this time until June, 1784, Freneau resided principally in Philadelphia, and edited the journal. During all of this time his muse was exceedingly active. He followed carefully the last years of the war, and put into satiric verse every movement of the "insolent foe." He sang the victory of Jones, and mourned in plaintive numbers the dead at Eutaw Springs. He voiced his indignation over the destructive career of Cornwallis, and burst into a Laus Deo at his fall. The ludicrous plight of Rivington and Gaine, the distress of the Tories, and the final departure of the British filled him with glee, which he poured out in song after song. It was his most prolific and spontaneous period.
He wrote, too, an abundance of prose. The series of graceful papers entitled "The Pilgrim" is from his pen, besides many a political study and literary sketch signed with a sounding name. Everywhere are manifest his love of true literature and his desire to lead a merely literary life, but here and there are notes of discouragement. "Barbers cannot possibly exist as such," he writes, "among a people who have neither hair nor beards. How, then, can a poet hope for success in a city where there are not three persons possessed of elegant ideas?"
During the year 1783 Freneau's pen was very busy in various lines of work. It is probable that he assisted Bailey in many ways,—writing introductions to publications issued by the office and performing the various other duties incumbent upon the literary editor of a publishing house. During this year he translated the "New Travels through North America," which had just been issued by the Abbé Robin, one of the chaplains of the French Army in America, and the translation was issued first by Bailey and later by Powers and Willis of Boston. Freneau's introduction is characteristic:
"Most of those accounts of North America, given to the public by British explorators and others, previous to the Revolution, are generally taken up, with the recitals of wonderful adventures, in the woods beyond the Lakes, or with the Histories and records of the wild Indian nations, so that by the time the reader gets through one of those performances, he never fails to be better acquainted with the Ottagnies, Chereokees, Miamees, Nadouwessians, and a hundred others, with their various customs of paw-wawing, or methods of making wampum, than with the most interesting particulars relative to the inhabitants of the then colonies these were but rarely thought worthy mentioning by those gentlemen, and when they are, it is mortifying enough to see them constantly considered as mere beasts of burden, calculated solely for the support of the grandeur, wealth and omnipotence of Great-Britain, than as men and Free-Men.
"Our French Author is more liberal—two years before the present peace he considered the United States as a great independent nation, advancing with hasty strides to the summit of power and sovereignty."
It was during this year that the poet, for the first time, met with positive opposition and abuse. Oswald, the editor of the newly established Gazette, quarrelled with Bailey, and a poetical battle was one phase of the contest. The details of this affair will be found in the proper place, and I need not recount them here, but suffice it to say that Freneau soon found his muse assailed by the meanest of all critics. His extremely sensitive nature could brook no criticism. His Celtic temperament could fight fiercely in the presence of an open foe, but it was easily depressed and discouraged by criticism and covert attack. He lost heart in his work, and at the end of the third volume he quietly withdrew from his editorship.
The three volumes of the Journal which bear his impress are notable for their vigor of policy, their high ideals, their unswerving patriotism, and their real literary merit. It is to be hoped that a selection from Freneau's prose writings during this critical era in our history may sometime be made. Nowhere else can we gain so distinct a picture of the man, with his sanguine, impetuous temperament, his proud spirit, and his intense hatred of every form of tyranny. He wrote vigorously not only on British oppression, but on such topics as the wrongs of negro slavery, cruelty to animals, the wanton destruction of trees, the evils of intemperance, and the rights of woman.
The "Epistle to Sylvius" was his valedictory. In it he deplores the lack of literary taste in America, and the sad fate which has befallen his youthful poetic dreams. The age is grown mercantile, and Sejanus the mighty tradesman,—
"Sejanus has in house declared
'These States, as yet, can boast no bard,
And all the sing-song of our clime
Is merely nonsense fringed with rhyme.'"
A bard with more Teutonic blood, if he knew within himself that he was indeed a poet, and the only real poet of his time, would have staid at his post and made himself heard, despite narrow criticism and mean abuse, but Freneau was too proud to fight for recognition. The people had crowned him, to be sure, but if the critics, those who should be the real judges, rejected him, he would strive no longer. He would leave the field.