The Countess of Pembroke's Arcadia

by Philip Sidney

So passing their time according to their wont, they waited for the coming of Phalantus, who the next morning having already caused his tents to be pitched near to a fair tree hard by the lodge, had upon the tree made a shield to be hanged up, which the defendant should strike that would call him to the maintaining his challenge. The impresa in the shield was a heaven full of stars, with a speech signifying that it was the beauty which gave the praise. Himself came in next after a triumphant chariot made of carnation-velvet, enriched with purple and pearl, wherein Artesia sat, drawn by four winged horses with artificial flaming mouths and fiery wings, as if she had newly borrowed them of Phoebus. Before her marched, two after two, certain footmen pleasantly attired, who between them held one picture after another of them, that by Phalantus’ well running had lost the prize in the race of beauty, and at every pace they stayed, turned the pictures to each side so leisurely that with perfect judgment they might be discerned. The first that came in, following the order of the time wherein they had been won, was the picture of Andromana, queen of Iberia, whom a Laconian knight, having some time, and with special favour, served, though some years since returned home, with more gratefulness than good fortune defended. But therein Fortune had borrowed wit; for indeed she was not comparable to Artesia, not because she was a good deal older, for time had not yet been able to impoverish her store thereof, but an exceeding red hair with small eyes, did, like ill companions, disgrace the other assembly of most commendable beauties.

Next after her was borne the counterfeit of the Princess of Elis, a lady that taught the beholders no other point of beauty, but this: That as liking is not always the child of beauty, so whatsoever liketh is beautiful; for in that visage there was neither majesty, grace, favour, nor fairness; yet she wanted not a servant that would have made her fairer than the fair Artesia. But he wrote her praises with his helmet in the dust, and left her picture to be a true witness of his overthrow, as his running was of her beauty.

After her was the goodly Artaxia, great queen of Armenia, a lady upon whom nature bestowed and well placed her most delightful colours, and, withal, had proportioned her without any fault, quickly to be discovered by the senses, yet altogether seemed not to make up that harmony that Cupid delights in, the reason whereof might seem a mannish countenance, which overthrew that lovely sweetness, the noblest power of womankind, far fitter to prevail by parley than by battle.

Of a far contrary consideration was the representation of her that next followed, which was Erona queen of Lycia, who though of so brown a hair as no man should have injured it to have called it black, and that in the mixture of her cheeks the white did so much overcome the red, tho’ what was, was very pure, that it came near to paleness, and that her face was a thought longer than the exact Symetrians perhaps would allow; yet love played his part so well in every part that it caught hold of the judgment before it could judge, making it first love, and after acknowledge it fair; for there was a certain delicacy, which in yielding conquered, and with a pitiful look made one find cause to crave help himself.

After her came two ladies, of noble, but not of royal birth: The former was named Baccha, who though very fair, and of a fatness rather to allure, than to mislike, yet her breasts overfamiliarly laid open, with a made countenance about her mouth, between simpering and smiling, her head bowed somewhat down, seemed to languish with over-much idleness, and with an inviting look cast upward, dissuaded with too much persuading, while hope might seem to over-run desire.

The other, whose name was written Leucippe, was of a fine daintiness of beauty, her face carrying in it a sober simplicity, like one that could do much good and meant no hurt, her eyes having in them such a cheerfulness as nature seemed to smile in them, though her mouth and cheeks obeyed to that pretty demureness which the more one marked the more one would judge the poor soul apt to believe, and therefore the more pity to deceive her.

Next came the queen of Laconia, one that seemed born in the confines of beauty’s kingdom: For all her lineaments were neither perfect possessioners thereof, nor absolute strangers thereto: But she was a queen, and therefore beautiful.

But she that followed, conquered indeed with being conquered, and might well have made all the beholders wait upon her triumph, while herself were led captive. It was the excellently fair queen Helen, whose jacinth-hair curled by nature, but intercurled by art, like a fine brook through golden sands, had a rope of fair pearl, which now hiding, now hidden by the hair, did as it were play at fast and loose each with other, mutually giving and receiving richness. In her face so much beauty and favour expressed as, if Helen had not been known, some would rather have judged it the painter’s exercise to show what he could do than the counterfeiting of any living pattern; for no fault the most fault-finding wit could have found, if it were not that to the rest of the body the face was somewhat too little, but that little was such a spark of beauty as was able to inflame a world of love; for everything was full of a choice fineness, that if we wanted anything in majesty it supplied it with increase in pleasure; and if at the first it struck not with admiration, it ravished with delight. And no indifferent soul there was, which if it could resist from subjecting itself to make it his princess, that would not long to have such a playfellow. As for her attire, it was costly and curious, though the look, fixed with more sadness than it seemed nature had bestowed to any that knew her fortune, betrayed that as she used those ornaments not for herself, but to prevail with another, so she feared that all would not serve. Of a far differing, though esteemed equal, beauty, was the fair Parthenia, who next waited on Artesia’s triumph, tho’ far better she might have sat on the throne. For in her everything was goodly and stately, yet so that it might seem that great-mindedness was but the ensign-bearer to the humbleness. For her great grey eye, which might seem full of her own beauty; a large and exceedingly fair forehead, with all the rest of her face and body cast in the mould of nobleness, was yet so attired as might show the mistress thought it either not to deserve, or not to need any exquisite decking, having no adorning but cleanliness; and so far from all art, that it was full of carelessness, unless that carelessness itself, in spite of itself, grew artificial. But Basilius could not abstain from praising Parthenia as the perfect picture of a womanly virtue and wifely faithfulness, telling withal Zelmane how he had understood that when in the court of Laconia her pictures maintained by a certain Sicyonian knight, was lost through want rather of valour than justice, her husband, the famous Argalus, would in a chafe have gone and redeemed it with a new trial. But she, more sporting than sorrowing for her undeserved champion, told her husband she desired to be beautiful in nobody’s eye but his, and that she would rather mar her face as evil as ever it was than that it should be a cause to make Argalus put on armour. Then would Basilius have told Zelmane that which he already knew, of the rare trial of that coupled affection: but the next picture made their mouths give place to their eyes.

It was of a young maid which sat pulling out a thorn out of a lamb’s foot, with her look so attentive upon it, as if that little foot could have been the circle of her thoughts; her apparel so poor, as it had nothing but the inside to adorn it; a sheep-hook lying by her with a bottle upon it. But with all that poverty, beauty played the prince and commanded as many hearts as the greatest queen there did. Her beauty and her estate made her quickly to be known to be the fair shepherdess Urania, whom a rich knight called Lacemon, far in love with her, had unluckily defended.

The last of all in place, because last in the time of her being captive, was Zelmane, daughter to the King Plexirtus, who at the first sight seemed to have some resembling of Philoclea, but with more marking, comparing it to the present Philoclea, who indeed had no paragon but her sister, they might see it was but such a likeness as an unperfect glass doth give, answerable enough in some features and colours, but erring in others. But Zelmane sighing, turning to Basilius, “Alas! Sir,” said she, “here be some pictures which might better become the tombs of their mistresses than the triumph of Artesia.” “It is true sweetest lady,” said Basilius, “some of them be dead, and some other captive; but that hath happened so late, as it may be the knights that defended their beauty knew not so much: without we will say, as in some other hearts I know it would fall out, that death itself could not blot out the image which love hath engraven in them. But divers besides those,” said Basilius, “hath Phalantus, won, but he leaves the rest, carrying only such who either for greatness of estate, or of beauty, may justly glorify the glory of Artesia’s triumph.”