The modern entry to the crypts is in the south-east interior wall of this transept, the old means of entrance, through the "Holy Hole," having been blocked up.
The large tomb in the north transept is that of Prebendary Iremonger. On the western wall, at the end of the transept, are very faint traces of mural paintings, representing S. Christopher carrying Christ, etc., and it is probable the transepts were once thus decorated throughout.
The South Transept has received far more additions to its interior decorations than has the north. In the back of the choir-wall is recessed Sir Isaac Townsend's memorial, not a very noteworthy object. Just under it there now stands the old oak settle which was once used by the Norman monks. In the central space of the transept itself is a large monument to Bishop Wilberforce, showing beneath a canopy a life-sized figure, with mitre, cope, and staff, on a slab borne by six kneeling angels. A Latin inscription records his birth on 1st September 1805, and his death on 19th July 1873. The monument is the work of Sir Gilbert Scott, and has met with some severe attacks. It certainly is out of place in its Norman surroundings. The aisles of the south transept are divided up into six chambers, of which the larger of the two westernmost is used as a chapter-room, and does not betray its age by its present appearance; the one next the body of the church, Milner's "ancient sacristy," but now known as Henry of Blois' treasury, serves as a boys' vestry. The Norman work over the door must not be overlooked. The chamber to the extreme south is the entrance lobby to the south door, which leads into the "slype" or passage running between the church and the old chapter-house. Leading out of it is the ancient "calefactory," where the fire for the censers and thuribles was preserved. Panelled oak screens enclose this room on both sides. Next it comes Silkstede's chapel, the central of the three easterly divisions of the transept aisles. The prior's rebus, in the form of a skein of silk, is evident among the carvings, and his Christian name Thomas may be seen on the cornice with the MA, the monogram of the Virgin, standing out distinctly. The screen in this chapel is worthy of remark, and is divided into four compartments, the upper part of each being open-work and arched with pierced quatrefoils in the spandrels. In this chapel traces of painting were discovered in 1848, beneath the whitewash on the eastern wall, the subject apparently being Christ upon the water, calling to him S. Peter, who, in an attitude of hesitation, holds the prow of the boat. Fine canopy-work surmounts the whole. Originally there were eight canopies enclosing figures, but little except the canopies remain, the distemper-painting having almost vanished. On the floor of the chapel may be found a black marble slab, the tomb of Isaak Walton, with Bishop Ken's often-quoted inscription, which, however, it is perhaps pardonable to quote again:—
| "Alas! Hee's gone before, Gone, to returne noe more; Our panting hearts aspire After their aged Sire, Whose well-spent life did last Full ninety years, and past. But now he hath begun That which will nere be done: Crown'd with eternal Blisse, We wish our souls with his." |
