Bishop Fox's Chantry is a far finer piece of work and is certainly the most elaborate chantry in the cathedral. It displays no fewer than fifty-five richly-groined niches, all different in pattern; only two of them are tenanted, and these by very recent figures, on either side of the door. There is a great amount of wonderful undercutting to be seen in the spandrels to the arches, and the upper part of the erection shows open tracery with niches and canopies, under a cornice of running foliage and Tudor flowers, surmounted by panelled pinnacles. Fox's "pelican in her piety" alternates on the pinnacles with small octagonal turrets. At one time, moreover, all the arches, etc., contained stained glass, but this has now vanished. Within there is no tomb, but, as in Gardiner's chantry, there is, in an arched recess at the side, the ghastly carved figure of a corpse so frequently introduced in monuments of the period. The altar is surmounted by a small reredos in a sunk panel, now unoccupied, crowned by a band of angels bearing emblems of the Passion. Over the altar is this inscription in Latin:—
O sacrum convivium in quo Christus sumitur.
There is here, as was the case with Gardiner's chantry, a small room at the eastern end. In this are chests in which relics were kept.
The interior part of the choir aisles have received "Wykeham" windows, four on each side, though from the exterior only three can be seen. The westernmost on the north side has two lights partly looking into the open, while two are unglazed and the top of one looks into the northern transept. On the south side all are glazed, but only three get any light from outside. These can be seen from the close at the junction of transept and retro-choir. All these windows have blank panelling or arcading below. It looks as if Wykeham or his successors meant to reduce the width of the Norman transepts, so as to bring them into better proportion with the eastern arm of the church.
Between the presbytery and the side aisles, extending from pier to pier, are screens of pierced stonework, erected by Bishop Fox, whose motto frequently occurs on them, together with his initials and Cardinal Beaufort's. On the top of the screens are six painted chests (see p. 95), in which are collected the bones of saints and kings of the Saxon period; the original collection being made by Henry of Blois. These Mortuary Chests were desecrated by the Cromwellian ruffians when they broke into the cathedral, and the bones were hurled through the stained glass of the west and other windows. Afterwards they were collected once more and replaced in the chests where they now lie. Among the relics are the bones of Edred, Edmund, Canute, William Rufus, Emma, Bishops Wina, Alwyn, Egbert, Cenwulf or Kenulf, Cynegils, and Ethelwulf, and there are the old inscriptions to indicate whose remains were originally enclosed within the boxes, though there is now no warrant that the bones within correspond at all to the names without.