Philippine Mats / Philippine Craftsman Reprint Series No. 1

by Philippines. Bureau of Education

The sabutan plant is never found growing wild, though after it has once been started and rooted it will endure neglect and even abandonment. It produces better and finer leaves, however, if it receives some care and attention. In the towns of Tanay and Pililla, Rizal Province, and in Mabitac, Laguna Province, and in all the towns along the lake shore as far as Paete, the suckers of the plant are set out in small plots of ground surrounding the houses of the people. These form patches which in several years (depending mostly on soil conditions) yield pandan leaves large and fine enough to be used in the manufacture of hats and mats. The ideal location for sabutan is along the banks of streams where it can get the benefit of the light shade of bamboo or plants that happen to grow in the vicinity. Ordinarily, good results are obtained by planting the suckers of sabutan in a loose and moist, but well drained, soil. Plants are set out one meter apart in each direction, as they spread considerably. They need some shade, especially when young, but not the heavy shade of an abacá or banana grove.

The plant grows to be from 2 to 4 meters high. The leaves are fine in texture, about 2 meters long and as wide as 6 centimeters. Spines occur on the margins and on the under surface of the midrib. The male inflorescence procured from Tanay by the Bureau of Education is similar in appearance to that of Pandanus tectorius and is about 27 centimeters long. At varying distances on the flower stalk are leaves (bracts), thin and fine, from 10 to 24 centimeters long and with fine spines on margins and midrib. The flowers have a pleasant, though not very strong, odor.

Status of the sabutan mat industry.—As an industry, the weaving of sabutan mats is confined to the towns of Tanay and Pililla, in the Province of Rizal. The beginnings of this industry go back beyond the memory of the oldest inhabitants or even of their parents. It is probable that, as the people state, mat weaving has been carried on ever since the towns were founded. Tanay is the older of the two and it would seem (though reliable historical data of this kind are difficult to obtain) that the town was the first to engage in sabutan mat weaving and is probably the mother of all the sabutan industries carried on around Laguna de Bay.

The present condition of the mat-weaving industry of these two towns, however, is precarious; it appears to be gradually dying out. The fabrication of sabutan hats has been introduced from Mabitac, Laguna Province, into Pililla, with the result that the younger generation is entirely engaged in making hats, and the relatively small number of mats produced is being woven by the older women who have not cared to learn the new art. As yet no hats are made in Tanay, but the work is being taught in the schools and from conversation with people of the town it is judged that they are becoming interested also.

The disappearance of the sabutan mat industry would be very unfortunate, for the products are the finest samples of the mat weaver’s art produced in the Philippines. The mats are of fine straw; the natural gray of sabutan is pleasing; the designs used are good; and the colors are usually well combined. The favorite patterns consist of heavy plaids with some of the stripes containing sub-patterns produced by floating straws; the simplest ones have narrow border designs in straight lines. The most expensive mats are decorated with embroidered designs. The combination of colors in these is sometimes not pleasing and the designs themselves are not of special merit. However, if better ones are substituted, these mats should be excellent for a foreign trade demanding expensive articles of this nature. Unlike most Philippine mat industries, this one has not as yet been affected by coal tar dyes, and only vegetable dyes, found locally in the town or in the forests, are employed. The straw dyes very well and as a consequence the colors produced are even throughout the mat; nor have any of the shades that brilliant effect or “off color” which is so distasteful in certain fibers. The colors obtained are only fairly fast in the light, however, and it is probable that the new coal tar dyes will be faster and cheaper. In point of durability, sabutan mats would be superior to all others produced in the Islands if woven of double straws. In price they now vary from forty centavos to thirty pesos, the ordinary ones bringing from ₱1.50 to ₱2.50.

Plate XXXVIII. Cheap sabutan mat.

If the industry is to be preserved intact, however, something must be done to give it vitality, for the weavers know from experience of neighboring towns that more money can be made from weaving hats than in the fabrication of mats, and they will naturally change to the more remunerative article. Unlike most other weaving industries, the craft has not as yet been organized in Tanay. The production of mats has been more or less haphazard, with but little supervision by any person resembling the broker usually connected with household industries. The weaver on completing a mat sells it in the market or to some storekeeper. Up to the present time, the chief trade in these mats has been at Antipolo in May during the “romeria” or annual pilgrimage to the shrine of the Virgin of Antipolo. Certain persons in Tanay have made it a practice to gather up a store of mats and take them to Antipolo for sale there during the fiesta. A few of them are on sale in Manila and in neighboring provinces. Of late, however, persons have appeared who are taking up the industry more thoroughly as brokers and it is to be hoped that the workers will be organized into some better system for production than now exists. There is a large opportunity not only for supervision but also for division of labor. At present the men of the house cut the leaves, and each weaver (all the weavers are women) carries out the rest of the process. There would be a considerable saving of time if certain persons devoted themselves to the preparation of the gray straw, and the dyeing were left entirely to certain other workers. In this way the weavers of the mats would be engaged only in the actual fabrication of the article and much time would be saved to them.[8]

Plate XXXIX. Smoothing sabutan, Tanay, Rizal.