SISTERS
By Clarence H. White, New York City
SAND DUNE
By Mildred Ruth Wilson, Flushing, Long Island
[pg 73]
The PICTORIAL PHOTOGRAPHERS of AMERICA
The objects of the Pictorial Photographers of America are to stimulate and encourage those engaged and interested in the Art of Photography; to enlist the aid of museums and public libraries in adding photographic prints to their departments; to stimulate public taste through exhibitions, lectures, and publications; to invite exhibits of foreign work; and generally to promote education in this Art so as to raise the standards of Photography in the United States of America.
Meetings of the Association are held in New York City on the first Monday of each month. During the winter of 1919-1920 the following lecturers addressed the Association at these meetings: Mr. Robert J. Cole, Art Reviewer, New York Evening Sun, on “Man and the Camera;” Mr. H. J. Potter, of the Eastman Kodak Company, on “Both Ways from F-8;” Mr. Albert Sterner, on “Before the Click of the Shutter;” Mr. Pirie MacDonald and Mr. E. B. Core, on “The Pictorial Side of Professional Photography;” and Mr. Walter G. Wolfe, on “The Use of the Soft Focus Lens.” Mr. Allen Eaton, Field Secretary of the American Federation of Arts; Mr. William M. Ivins, Curator of Prints, Metropolitan Museum of Art; Dr. Frank Weitenkampf, of the New York Public Library; Prof. Charles H. Farnsworth, of Columbia University, and Walter L. Hervey, Ph.D., also made addresses.
Another feature of the meetings which added to their interest and usefulness was a monthly print competition. Prints were submitted by members from all parts of the United States, judged by a committee in advance of the meeting, and a selection of ten prints presented to the members for their consideration. From these they chose each month the two best prints.
The Pictorial Photographers of America this year for the first time arranged an exhibition of prints in Europe. Acting on the invitation of the Copenhagen Photographic Amateur Club to cooperate in celebrating its Twenty-fifth Anniversary, about 350 prints from leading pictorialists all over this country were assembled and forwarded in July to Copenhagen.