§ 7. That, being guided by the most refined Art on the Bass, they may There (and no where else) find their Center; there to sport with Delight, and unexpectedly to charm.
§ 8. That, it is owing to an exquisite Taste, that they are executed with that sweet putting forth of the Voice, which is so enchanting.
From the accessory Qualities is learned,
§ 9. That the Graces or Passages be easy in appearance, thereby to give universal Delight.
§ 10. That in effect They be difficult that thereby the Art of the Inventor be the more admired.
§ 11. That They be performed with an equal regard to the Expression of the Words, and the Beauty of the Art.
§ 12. That They be gliding or dragging in the Pathetick, for They have a better Effect than those that are mark'd.
§ 13. That They do not appear studied, in order to be the more regarded.
§ 14. That They be softened with the Piano in the Pathetick, which will make them more affecting.
§ 15. That in the Allegro They be sometimes accompanied with the Forte and the Piano, so as to make a sort of Chiaro Scuro.