[32] The first Shake of a Tone, [Pl. IV.] Numb. 1.
[33] See for the Meaning of superior and inferior Cadences, Chap. VIII. § 1. Pl. V. Numb. 3. N.B. Prom the inferior or lower Cadences, the first, or full, Tone Shake, is not always excluded; for in a sharp Key it is always a Tone, and in a flat Key a Semitone, [Pl. IV.] Numb. 3.
[34] The second Shake of a Semitone Major, [Pl. IV.] Numb. 2.
[35] The third the short Shake. [Pl. IV.] Numb. 4.
[36] The fourth the rising Shake. [Pl. IV.] Numb. 5.
[37] The fifth the descending Shake. [Pl. IV.] Numb. 6.
[38] The sixth the slow Shake. [Pl. IV.] Numb. 7.
[39] The seventh the redoubled Shake. [Pl. IV.] Numb. 8.
[40] The eighth the Trillo-Mordente, or Shake with a Beat. [Pl. IV.] Numb. 9.
[41] Shakes are generally proper from preceding Notes descending, but not ascending, except on particular Occasions. Never too many, or too near one another; but very bad to begin with them, which is too frequently done. The using so often Beats, Shakes, and Prepares, is owing to Lessons on the Lute, Harpsichord, and other Instruments, whose Sounds discontinue, and therefore have Need of this Help.