CHAPTER I

KEBLE EVELEY’S voice, rising and falling in graceful patterns, had lulled his wife’s mind into a tranquil remoteness. She had got more from the sinuosity of the sentences he was reading than from the thesis they upheld. Walter Pater had so little to tell her that she needed to know. This vaguely chagrined her, for Keble thought highly of Pater; Pater and he had something in common, something impeccable and elusive, something—

She checked her musings in alarm at the menacing word “affected.”

Was it affectation on Keble’s part? Or was there perhaps a winnowed level of civilization thousands of miles east of these uncouth hills and beyond the sea where precious phrases like Pater’s and correct manners like Keble’s were matter of course? In any such milieu what sort of figure could she hope to cut?

No doubt a pitiful one. And her thoughts drifted wistfully but resignedly down the stream of consciousness.

It was not the first time she had failed to keep stroke with Keble in the literary excursions he conducted on cool evenings before a log fire that had been burning since their marriage in the autumn, six months before. Only a few evenings past he had read a poem by Robert Browning, who was to Louise merely a name that had fallen from the lips of her English teacher at Normal School. She had felt herself rather pleasantly scratched and pommeled by the lines as Keble had read them, but they had failed to make continuous sense. And next morning, when she had gone to the book-shelves to read and ponder in private, she hadn’t even been able to identify the incoherent poem among the host of others in the red volume.

Once, too, when he had been playing the piano she had been humiliatingly inept. For an hour she had been happy to lie back and listen to harmonies which, though they had signified no more to her than a monologue in a foreign tongue, had moved her to the verge of tears. Then he had played something he called a prelude, a pallidly gay composition utterly unlike many others called preludes, and on finishing it had turned to ascertain its effect upon her. She hadn’t been listening carefully, for it had set an old tune running in her head. “It’s pretty, dear,” she had commented. “It reminds me of something Nana used to hum.”