“Well, they may say what they will, many a true heart will be sad for Mary Stuart, e’en if all be true men say of her.” That speech, which Walter Scott puts into the mouth of one of the personages in his novel of “The Abbot” at the moment when he is preparing the reader for an introduction to the beautiful queen, remains the last word of posterity as it was of contemporaries,—the conclusion of history as of poesy.
Elizabeth living triumphed, and her policy after her lives and triumphs still, so that Protestantism and the British empire are one and the same thing. Marie Stuart succumbed, in her person and in that of her descendants; Charles I. under the axe, James II. in exile, each continued and added to his heritage of faults, imprudences, and calamities; the whole race of the Stuarts was cut off, and seems to have deserved it. But, vanquished in the order of things and under the empire of fact, and even under that of inexorable reason, the beautiful queen has regained all in the world of imagination and of pity. She has found, from century to century, knights, lovers, and avengers. A few years ago, a Russian of distinction, Prince Alexander Labanoff, began, with incomparable zeal, a search through the archives, the collections, the libraries of Europe, for documents emanating directly from Marie Stuart, the most insignificant as well as the most important of her letters, in order to connect them and so make a nucleus of history, and also an authentic shrine, not doubting that interest, serious and tender interest, would rise, more powerful still, from the bosom of truth itself. On the appearance of this collection of Prince Labanoff, M. Mignet produced, from 1847 to 1850, a series of articles in the “Journal des Savants,” in which, not content with appreciating the prince’s documents, he presented from himself new documents, hitherto unpublished and affording new lights. Since then, leaving the form of criticism and dissertation, M. Mignard has taken this fine subject as a whole, and has written a complete narrative upon it, grave, compact, interesting, and definitive, which he is now publishing [1851].
In the meantime, about a year ago, there appeared a “History of Marie Stuart” by M. Dargaud, a writer of talent, whose book has been much praised and much read. M. Dargaud made, in his own way, various researches about the heroine of his choice; he went expressly to England and Scotland, and visited as a pilgrim all the places and scenes of Marie Stuart’s sojourns and captivities. While drawing abundantly from preceding writers, M. Dargaud does them justice with effusion and cordiality; he sheds through every line of his history the sentiment of exalted pity and poesy inspired within him by the memory of that royal and Catholic victim; he deserves the fine letter which Mme. Sand wrote him from Nohant, April 10, 1851, in which she congratulates him, almost without criticism, and speaks of Marie Stuart with charm and eloquence. If I do not dwell at greater length upon the work of M. Dargaud, it is, I must avow, because I am not of that too emotional school which softens and enervates history. I think that history should not necessarily be dull and wearisome, but still less do I think it should be impassioned, sentimental, and as if magnetic. Without wishing to depreciate the qualities of M. Dargaud, which are too much in the taste of the day not to be their own recommendation, I shall follow in preference a more severe historian, whose judgment and whose method of procedure inspire me with confidence.
Marie Stuart, born December 8, 1542, six days before the death of her father, who was then combating, like all the kings his predecessors, a turbulent nobility, began as an orphan her fickle and unfortunate destiny. Storms assailed her in her cradle,—
“As if, e’en then, inhuman Fortune
Would suckle me with sadness and with pain,”
as an old poet, in I know not what tragedy, has made her say. Crowned at the age of nine months, disputed already in marriage between the French and English parties, each desiring to prevail in Scotland, she was early, through the influence of her mother, Marie de Guise (sister of the illustrious Guises), bestowed upon the Dauphin of France, the son of King Henri II. August 13, 1548, Marie Stuart, then rather less than six years old, landed at Brest. Betrothed to the young dauphin, who, on his father’s death became François II., she was brought up among the children of Henri II. and Catherine de’ Medici, and remained in France, first as dauphine, then as queen, until the premature death of her husband. She lived there in every respect as a French princess. These twelve or thirteen years in France were her joy and her charm, and the source of her ruin.
She grew up in the bosom of the most polished, most learned, most gallant Court of those times, shining there in her early bloom like a rare and most admired marvel, knowing music and all the arts (divinæ Palladis artes), learning the languages of antiquity, speaking themes in Latin, superior in French rhetoric, enjoying an intercourse with poets, and being herself their rival with her poems. Scotland, during all this time, seemed to her a barbaric and savage land, which she earnestly hoped never to see again, or, at any rate, never to inhabit. Trained to a policy wholly of the Court and wholly personal, they made her sign at Fontainebleau at the time of her marriage (1558) a secret deed of gift of the kingdom of Scotland to the kings of France, at the same time that she publicly gave adherence to the conditions which the commissioners from Scotland had attached to the marriage, conditions under which she pledged herself to maintain the integrity, the laws, and the liberties of her native land. It was at this very moment that she secretly made gift to the kings of France of her whole kingdom by an act of her own good-will and power. The Court of France prompted her to that imprudent treachery at the age of sixteen. Another very impolitic imprudence, which proclaimed itself more openly, was committed when Henri II., on the death of Mary Tudor, made Marie Stuart, the dauphine, bear the arms of England beside those of Scotland, thus presenting her thenceforth as a declared rival and competitor of Elizabeth.
When Marie Stuart suddenly lost her husband (December 5, 1560), and it was decided that she, a widow at eighteen, should, instead of remaining in her dowry of Touraine, return to her kingdom of Scotland to bring order to the civil troubles there existing, universal mourning took place in the world of young French seigneurs, noble ladies, and poets. The latter consigned their regrets to many poems which picture Marie Stuart to the life in this decisive hour, the first really sorrowful hour she had ever known. We see her refined, gracious, of a delicate, fair complexion, the form and bust of queen or goddess,—L’Hôpital himself had said of her, after his fashion, in a grave epithalamium:—
“Adspectu veneranda, putes ut Numen inesse:
Tantus in ore decor, majestas regia tanta est!—