“At that time the advanced age of your aunt and my childish youthfulness had more agreement; for it is the nature of old people to love children; and those who are in the perfection of their age, like your cousin, despise and dislike their annoying simplicity.”
Childhood passed, and the first awakening to serious things was given to Marguerite about the time of the battle of Moncontour (1569). She was then sixteen. The Duc d’Anjou, afterwards Henri III., aged eighteen, handsome, brave, and giving promise of a virtue and a prudence he never justified, took his sister aside one day in one of the alleys of the park at Plessis-lez-Tours to tell her of his desire, on starting for the army, to leave her as his confidant and support with their mother, Catherine de’ Medici, during his absence at the wars. He made her a long speech, which she reports in full with some complacency:—
“Sister, the nourishment we have taken together obliges us, not less than proximity, to love each other.... Until now we have naturally been guided to this without design and without the said union being of any utility beyond the pleasure we have had in conversing together. That was good for our childhood; but now it is time to no longer live like children.”
He then points out to her the great and noble duties to which God calls him, in which the queen, their mother, brought him up, and which King Charles IX., their brother, lays upon him. He fears that this king, courageous as he is, may not always be satisfied with hunting, but will become ambitious to put himself at the head of the armies, the command of which has been hitherto left to him. It is this that he wishes to prevent.
“In this apprehension,” he continues, “thinking of some means of remedy, I believe that it is necessary to leave some very faithful person behind me who will maintain my side with the queen, my mother. I know no one as suitable as you, whom I regard as a second myself. You have all the qualities that can be desired,—intelligence, judgment, and fidelity.”
The Duc d’Anjou then proposes to his sister to change her manner of life, to be assiduous towards the queen, their mother, at all hours, at her lever, in her cabinet during the day, at her coucher, and so act that she be treated henceforth, not as a child, but as a person who represents him during his absence. “This language,” she remarks, “was very new to me, having lived until then without purpose, thinking of nothing but dancing and hunting; and without much interest even in dressing and in appearing beautiful, not having yet reached the age of such ambitions.” The fear she always felt for the queen, her mother, and the respectful silence she maintained in her presence, held her back still further. “I came very near,” she says, “replying to him as Moses did to God in the vision of the bush: ‘Who am I? Send, I pray thee, by him whom thou shouldest send.’” Nevertheless, she felt within her at her brother’s words a new courage, and powers hitherto unknown to her, and she soon consented to all, entering zealously into her brother’s design. From that moment she felt herself “transformed.”
This fraternal and politic union thus created by the Duc d’Anjou did not last. On his return from the victory of Moncontour she found him changed, distrustful, and ruled by a favourite, du Gua, who possessed him as so many others possessed him later. Henceforth his sister was out of favour with him, and it was with her younger brother, the Duc d’Alençon, that Marguerite renewed and continued as long as she could a union of the same kind, which gave room for all the feelings and all the ambitious activities of youth.
Did she at that time give some ground for the coolness of her brother d’Anjou by her liaison with the young Duc de Guise? An historian who knew Marguerite well and was not hostile to her, says: “She had long loved Henri, Duc de Guise, who was killed at Blois, and had so fixed the affections of her heart from her youth upon that prince of many attractions that she never loved the King of Navarre, afterwards King of France of happy memory, but hated him from the beginning, and was married to him in spite of herself, and against canonical law.”[18] However this may be, the Duc d’Anjou seized the pretext of the Duc de Guise to break with his sister, whose enemy he became insensibly, and he succeeded in alienating her from her mother.
Marguerite, in this flower of her youth, was, according to all testimony, enchantingly beautiful. Her beauty was not so much in the special features of her face as in the grace and charm of her whole person, with its mingling of seduction and majesty. Her hair was dark, which was not thought a beauty in those days; blond hair reigned. “I have seen her sometimes wearing her natural hair without any peruke artifice,” Brantôme tells us, “and though it was black (having inherited that colour from King Henri, her father), she knew so well how to twist and curl and arrange it, in imitation of her sister, the Queen of Spain, who never wore any hair but her own, that such arrangement and coiffure became her as well as, or better than, any other.” Toward the end of her life Marguerite, becoming in her turn antiquated, with no brown hair to dress, made great display of blond perukes. “For them she kept great, fair-haired footmen, who were shaved from time to time;” but in her youth, when she dared to be dark-haired as nature made her, it was not unbecoming to her; for she had a most dazzling complexion and her “beautiful fair face resembled the sky in its purest and greatest serenity” with its “noble forehead of whitening ivory.” Nor must we forget her art of adorning and dressing herself to advantage, and the new inventions of that kind she gave to women, she being then the queen of the modes and fashion. As such she appeared on all solemn occasions, and notably on that day when, at the Tuileries, the queen-mother fêted the Polish seigneurs who came to offer the crown of Poland to the Duc d’Anjou, and Ronsard, who was present, confesses that the beautiful goddess Aurora was vanquished; but more notably still on that flowery Easter at Blois, when we see her in procession, her dark hair starred with diamonds and precious stones, wearing a gown of crinkled cloth of gold from Constantinople, the weight of which would have crushed any other woman, but which her beautiful, rich, strong figure supported firmly, bearing the palm in her hand, her consecrated branch, “with regal majesty, and a grace half proud, half tender.” Such was the Marguerite of the lovely years before the disasters and the flights, before the castle of Usson, where she aged and stiffened.
This beauty, so real, so solid, which had so little need of borrowed charms, had, like all her being, its fantasticalities and its superstition. I have said already that she frequently disguised her rich, brown hair, preferring a blond wig, “more or less charmingly fashioned.” Her beautiful face was presented to view “all painted and stained.” She took such care of her skin that she spoiled it with washes and recipes of many kinds, which gave her erysipelas and pimples. In fact, she was the model and eke the slave of the fashions of her time; and as she survived those days she became in the end a species of preserved idol and curiosity, such as may be seen in a show-case. The great Sully, when he one day reappeared at the Court of Louis XIII. with his ruff and his costume of the time of Henri IV., gave that crowd of young courtiers something to laugh at; and so, when Queen Marguerite, having returned from Usson to Paris, showed herself at the remodelled Court of Henri IV. she produced the same effect on that young century, which smiled at beholding this solemn survival of the Valois.