The New Port.] This probably is the same Port that was built by Julian the Apostate. There was another Port in the sixth Ward called Portus Neorius, because there was a Dock there for building Ships.
A Portico of a Semi-circular Figure.] The Greek Letter Σ, as ’tis now wrote, was formerly wrote C. Zonaras and Cedrinus often take Notice of this Portico.
The Fourth Ward.
THE fourth Ward extends itself in a long Vale, the Hills rising on the Right and Left from the Miliarium Aureum through a Vale, to a plain level Ground. It contains, the Miliarium Aureum; the Augusteum; a Basilica; a Nympheum; the Portico of Phanio; a Marble Galley, the Monument of a naval Victory; the Church of St. Menna; a Stadium; The Stairs of Timasius; thirty two Streets; three hundred and seventy five great Houses; four large Portico’s; seven private Baths; five private Mills; and seven Gradus. It is presided by one Curator, assisted by one Vernaculus, forty Collegiati, and five Vico-Magistri.
NOTES.
The Miliarium Aureum.] Cedrinus, speaking of the Miliarium Aureum, writes thus: Under the Roof of the Miliarium Aureum were placed the Statues of Constantine the Great, and his Mother, with a Cross between them. Behind him stands Trajan, and near his Mother is the Statue of Ælius Hadrianus on Horseback. There is a Clock here, which was set up by Justinian. There was also a Miliarium Aureum at Rome, erected in the Forum by Augustus, from whence they used to adjust the Distances of Places, and the Mensuration of Miles, all the Roads of Italy meeting at the Foot of it, as ’tis observed by Plutarch, Dion, P. Victor, and others. Yet Æmilius Macer is of another Opinion. A Mile, says he, is not to be computed from the Miliarium, but from the Houses, upon the Skirts of the City, to the Place to which you measure. As then there was a Miliarium Aureum at Rome, so there was at Constantinople, which imitated Old Rome as near as it could; tho’ at Rome it was built in the Figure of a Pillar, at Constantinople it was another kind of Building, as is evident from what is above-mentioned by Cedrinus; and is also attested by Suidas, who writes, that under the Roof of the Miliarium, stood the Cross, the Figures of Constantine and Helena, the Image of Fortune, and many other Statues. He calls it not the Miliarium, but the Milium.
The Augusteum.] This was a large Pillar of Brass, erected by Justinian, as Cedrinus relates, who tells us, that in the fifteenth Year of the Reign of Justinian, was finished the great brazen Pillar, which is called the Augusteum. Upon it was placed the Statue of Justinian on Horseback, holding in his Right Hand an Apple, in Imitation of a Globe, to signify that the whole World was subject to his Government. He sat with his Right Hand stretched out, pointing to the Persians to stand off, and not to approach his Dominions. All the Coverings of the Passage of Entrance into the Imperial Palace, were made of gilded Brass. This is still called the Brazen Passage, as the Pillar is call’d the Augusteum. Procopius speaks largely of it in his Oration de Ædif. Justin. where he writes, that not the Pillar, but the Place where the Pillar stood, was called the Augusteum, as it was also the Macellum. The principal Pillar, says he, is to be admired for its Size, yet is it no regular and uniform Structure, but made of Stones of a vast Compass. The Pedestal and Top of it is covered with the most refined Brass, which by cramping its Stones together, does at the same Time both strengthen and adorn it. The Brass, as to its Lustre, is not much inferior to pure Gold, and at least of equal Worth and Beauty with the finest Silver. At the Top of this Pillar was placed a very large Horse cast in Brass, facing the East, wonderful in his Kind, in a walking Posture, with his Head bending downwards, lifting up his near Fore-Foot, as though he would paw the Ground. His Off-Foot is fixed to the Pedestal, on which he stands; and his Hind-Feet are so closely contracted, as if he was rising upon his Speed. Upon him sits the Statue of the Emperor in Brass, whom they call Achilles, because he is somewhat like him. He has no Boots, but his Feet are bound round with a kind of Sandals. He is armed with a radiant Breast-plate and Head-piece, and looks, you would fancy, as if he were marching, in a war-like Posture, against the Persians. In his left Hand he bears a Globe, by which ’tis signified, that the Earth and the Sea is subject to his Power. He is not equipped either with Sword nor Spear. There’s a Cross fixed upon the Globe, intimating, that under its auspicious Influence, he arrived to the Imperial Dignity; and that all Success in War is to be attributed to the Omnipotency of the Saviour of Mankind. His Right Hand, which is open, is stretched Eastward, and seems to forbid the barbarous Nations to approach his Territories. Below this Place, stands the Forum called Augustum. This Forum stands before the Imperial Palace; ’tis surrounded with Pillars, and the Inhabitants call it Augustum. Eastward from hence stands the Curia, or Prætorium, which was built by Justinian, where the old Romans, in the Beginning of the new Year used, as Suidas observes, to perform a solemn Festival. Phavorinus relates, that the Flesh-Market was the same with the Augusteum. It was so called, says Suidas, because the Curatores, and Senastophori of the Wards, used every Year, on the Ides of October, to dance in Honour of Augustus, or because the Statues of Constantine, and Helena his Mother, were erected there.
A Basilica.] This was one of the most magnificent Basilica’s in the World, which Cedrinus takes Notice of, when he tells us, that a Fire began at the Middle of the Chalcopratia, which consumed both the Portico’s before mentioned, all the neighbouring Buildings, and the Basilica, which contained a Collection of a Hundred and twenty Thousand Books. There was a Curiosity very particular in this Library, which was the Gut of a Dragon, on which were inscribed in Golden Characters, the Iliads and Odysses of Homer, with the History of the Atchievements of other Heroes. The Roof of this Basilica was supported with many Ranges of Pillars, as we see at present in some Churches, which are many of them built after the same Manner with the Basilica’s. One of these Basilica’s is described by Virgil, in his seventh Æneid.
A stately Palace in the City’s Height,