The avenue which I have followed in an easterly direction abuts on as disconcerting a chaos of granite as exists in Thebes—the hall of the feasts of Thothmes III. What kind of feasts were they, that this king gave here, in this forest of thick-set columns, beneath these ceilings, of which the smallest stone, if it fell, would crush twenty men? In places the friezes, the colonnades, which seem almost diaphanous in the air, are outlined still with a proud magnificence in unbroken alignment against the star-strewn sky. Elsewhere the destruction is bewildering; fragments of columns, entablatures, bas-reliefs lie about in indescribable confusion, like a lot of scattered wreckage after a world-wide tempest. For it was not enough that the hand of man should overturn these things. Tremblings of the earth, at different times, have also come to shake this Cyclops palace which threatened to be eternal. And all this—which represents such an excess of force, of movement, of impulsion, alike for its erection as for its overthrow—all this is tranquil this evening, oh! so tranquil, although toppling as if for an imminent downfall—tranquil forever, one might say, congealed by the cold and by the night.
I was prepared for silence in such a place, but not for the sounds which I commence to hear. First of all an osprey sounds the prelude, above my head and so close to me that it holds me trembling throughout its long cry. Then other voices answer from the depths of the ruins, voices very diverse, but all sinister. Some are only able to mew on two long-drawn notes: some yelp like jackals round a cemetery, and others again imitate the sound of a steel spring slowly unwinding itself. And this concert comes always from above. Owls, ospreys, screech-owls, all the different kinds of birds, with hooked beaks and round eyes, and silken wings that enable them to fly noiselessly, have their homes amongst the granites massively upheld in the air; and they are celebrating now, each after its own fashion, the nocturnal festival. Intermittent calls break upon the air, and long-drawn infinitely mournful wailings, that sometimes swell and sometimes seem to be strangled and end in a kind of sob. And then, in spite of the sonority of the vast straight walls, in spite of the echoes which prolong the cries, the silence obstinately returns. Silence. The silence after all and beyond all doubt is the true master at this hour of this kingdom at once colossal, motionless and blue—a silence that seems to be infinite, because we know that there is nothing around these ruins, nothing but the line of the dead sands, the threshold of the deserts.
I retrace my steps towards the west in the direction of the hypostyle, traversing again the avenue of monstrous splendours, imprisoned and, as it were, dwarfed between the rows of sovereign stones. There are obelisks there, some upright, some overthrown. One like those of Luxor, but much higher, remains intact and raises its sharp point into the sky; others, less well known in their exquisite simplicity, are quite plain and straight from base to summit, bearing only in relief gigantic lotus flowers, whose long climbing stems bloom above in the half light cast by the stars. The passage becomes narrower and more obscure, and it is necessary sometimes to grope my way. And then again my hands encounter the everlasting hieroglyphs carved everywhere, and sometimes the legs of a colossus seated on its throne. The stones are still slightly warm, so fierce has been the heat of the sun during the day. And certain of the granites, so hard that our steel chisels could not cut them, have kept their polish despite the lapse of centuries, and my fingers slip in touching them.
There is now no sound. The music of the night birds has ceased. I listen in vain—so attentively that I can hear the beating of my heart. Not a sound, not even the buzzing of a fly. Everything is silent, everything is ghostly; and in spite of the persistent warmth of the stones the air grows colder and colder, and one gets the impression that everything here is frozen—definitely—as in the coldness of death.
A vast silence reigns, a silence that has subsisted for centuries, on this same spot, where formerly for three or four thousand years rose such an uproar of living men. To think of the clamorous multitudes who once assembled here, of their cries of triumph and anguish, of their dying agonies. First of all the pantings of those thousands of harnessed workers, exhausting themselves generation after generation, under the burning sun, in dragging and placing one above the other these stones, whose enormity now amazes us. And the prodigious feasts, the music of the long harps, the blares of the brazen trumpets; the slaughters and battles when Thebes was the great and unique capital of the world, an object of fear and envy to the kings of the barbarian peoples who commenced to awake in neighbouring lands; the symphonies of siege and pillage, in days when men bellowed with the throats of beasts. To think of all this, here on this ground, on a night so calm and blue! And these same walls of granite from Syene, on which my puny hands now rest, to think of the beings who have touched them in passing, who have fallen by their side in last sanguinary conflicts, without rubbing even the polish from their changeless surfaces!
I now arrive at the hypostyle of the temple of Amen, and a sensation of fear makes me hesitate at first on the threshold. To find himself in the dead of night before such a place might well make a man falter. It seems like some hall for Titans, a remnant of fabulous ages, which has maintained itself, during its long duration, by force of its very massiveness, like the mountains. Nothing human is so vast. Nowhere on earth have men conceived such dwellings. Columns after columns, higher and more massive than towers, follow one another so closely, in an excess of accumulation, that they produce a feeling almost of suffocation. They mount into the clear sky and sustain there traverses of stone which you scarcely dare to contemplate. One hesitates to advance; a feeling comes over you that you are become infinitesimally small and as easy to crush as an insect. The silence grows preternaturally solemn. The stars through all the gaps in the fearful ceilings seem to send their scintillations to you in an abyss. It is cold and clear and blue.
The central bay of this hypostyle is in the same line as the road I have been following since I left the hall of Thothmes. It prolongs and magnifies as in an apotheosis that same long avenue, for the gods and kings, which was the glory of Thebes, and which in the succession of the ages nothing has contrived to equal. The columns which border it are so gigantic[*] that their tops, formed of mysterious full-blown petals, high up above the ground on which we crawl, are completely bathed in the diffuse clearness of the sky. And enclosing this kind of nave on either side, like a terrible forest, is another mass of columns—monster columns, of an earlier style, of which the capitals close instead of opening, imitating the buds of some flower which will never blossom. Sixty to the right, sixty to the left, too close together for their size, they grow thick like a forest of baobabs that wanted space: they induce a feeling of oppression without possible deliverance, of massive and mournful eternity.
[*] About 30 feet in circumference and 75 feet in height
including the capital.