Ramuntcho plays as, in his life, he had never played before; he is in one of those instants when one feels tempered by strength, light, weighing nothing, and when it is a pure joy to move, to extend one's arms, to leap. But Arrochkoa weakens, the vicar is fettered two or three times by his black cassock, and the adverse camp, at first distanced, little by little catches up, then, in presence of this game so valiantly disputed, clamor redoubles and caps fly in the air, thrown by enthusiastic hands.

Now the points are equal on both sides; the crier announces thirty for each one of the rival camps and he sings the old refrain which is of tradition immemorial in such cases: “Let bets come forward! Give drink to the judges and to the players.” It is the signal for an instant of rest, while wine shall be brought into the arena at the cost of the village. The players sit down, and Ramuntcho takes a place beside Gracieuse, who throws on his shoulders, wet with perspiration, the waistcoat which she was keeping for him, Then he asks of his little friend to undo the thongs which hold the glove of wood, wicker and leather on his reddened arm. And he rests in the pride of his success, seeing only smiles of greeting on the faces of the girls at whom he looks. But he sees also, on the side opposed to the players' wall, on the side of the approaching darkness, the archaic assemblage of Basque houses, the little square of the village with its kalsomined porches and its old plane-trees, then the old, massive belfry of the church, and, higher than everything, dominating everything, crushing everything, the abrupt mass of the Gizune from which comes so much shade, from which descends on this distant village so hasty an impression of night—Truly it encloses too much, that mountain, it imprisons, it impresses—And Ramuntcho, in his juvenile triumph, is troubled by the sentiment of this, by this furtive and vague attraction of other places so often mingled with his troubles and with his joys—

The game continues and his thoughts are lost in the physical intoxication of beginning the struggle again. From instant to instant, clack! the snap of the pelotas, their sharp noise against the glove which throws them or the wall which receives them, their same noise giving the notion of all the strength displayed—Clack! it will snap till the hour of twilight, the pelota, animated furiously by arms powerful and young. At times the players, with a terrible shock, stop it in its flight, with a shock that would break other muscles than theirs. Most often, sure of themselves, they let it quietly touch the soil, almost die: it seems as if they would never catch it: and clack! it goes off, however, caught just in time, thanks to a marvellous precision of the eye, and strikes the wall, ever with the rapidity of a bullet—When it wanders on the benches, on the mass of woolen caps and of pretty hair ornamented with silk kerchiefs, all the heads then, all the bodies, are lowered as if moved by the wind of its passage: for it must not be touched, it must not be stopped, as long as it is living and may still be caught; then, when it is really lost, dead, some one of the assistants does himself the honor to pick it up and throw it back to the players.

The night falls, falls, the last golden colors scatter with serene melancholy over the highest summits of the Basque country. In the deserted church, profound silence is established and antique images regard one another alone through the invasion of night—Oh! the sadness of ends of festivals, in very isolated villages, as soon as the sun sets—!

Meanwhile Ramuntcho is more and more the great conqueror. And the plaudits, the cries, redouble his happy boldness; each time he makes a point the men, standing now on the old, graded, granite benches, acclaim him with southern fury.

The last point, the sixtieth—It is Ramuntcho's and he has won the game!

Then there is a sudden crumbling into the arena of all the Basque caps which ornamented the stone amphitheatre; they press around the players who have made themselves immovable, suddenly, in tired attitudes. And Ramuntcho unfastens the thongs of his glove in the middle of a crowd of expansive admirers; from all sides, brave and rude hands are stretched to grasp his or to strike his shoulder amicably.

“Have you asked Gracieuse to dance with you this evening?” asks Arrochkoa, who in this instant would do anything for him.

“Yes, when she came out of the high mass I spoke to her—She has promised.”

“Good! I feared that mother—Oh! I would have arranged it, in any case; you may believe me.”