In one of the houses back in a recess in a dark loft, something moves! Two women cower pitifully! Finding themselves discovered, they are seized with terror and fall at our feet, trembling, weeping, clasping their hands, and begging for mercy. One is young, the other older, and they look alike. Mother and daughter! "Pardon, sir, pardon; we are afraid," translates little Toum naïvely, understanding their broken words. Evidently they expect the worst of us—and then death. For how long have they lived in this hole, these two poor things, thinking with each step that resounds on the pavement of the deserted court that their end has come? We leave them a few pieces of silver, which perhaps humiliates without helping them, but it is all that we can do, and then we go.
Another house, a house of the rich this one is, with a profusion of potted plants in enamelled porcelain jars in the sad little garden. In an apartment that is already dark (for decidedly night is coming on, the uncertainty of twilight is beginning), but where the havoc is less extensive, for there are great chests and beautiful arm-chairs still intact, Osman suddenly recoils with terror before something which emerges from a bucket placed upon a board. Two torn thighs, the whole lower part of a woman thrust into this bucket with the feet in the air! Undoubtedly the mistress of this elegant home. Her body? Who knows what has been done with the body? But here is the head, under this arm-chair, near the skeleton of a cat. The mouth is open, showing the teeth, and the hair is long.
In addition to the broad, almost straight streets whose desolation is visible from one end to the other, there are little tortuous streets leading up to gray walls. They are the most desolate to enter at this twilight hour, with only the cry of the crow as an accompaniment. Little stone gnomes guard their mysterious doors, and their pavements are strewn with human heads with long queues. One approaches certain turns in the streets with a heavy heart. It is over, and nothing in the world would tempt us to enter again at this hour one of those frightfully still houses where one meets with so many gruesome encounters.
We had gone far into the city before night came on, and the silence had become intolerable. We return to the region where the troops are quartered, cut by the north wind and chilled by the cold and gloom; our return is rapid; broken china and other débris impossible to define crackle under our feet.
The banks are lined with soldiers warming themselves and cooking their suppers over bright fires, where they are burning chairs, tables, and bits of carved wood or timbers. Coming out of the Dantesque streets, it all bespeaks joy and comfort to us.
Near our junk there is a canteen, improvised by a Maltese, where intoxicants are sold to soldiers. I send my men to get whatever liquors they want for our supper, for we need something to warm and cheer us if possible. We celebrate with smoking soup, tea, chartreuse, and I don't know what besides, in our little matting-covered dwelling, tied up this time on the pestilential mud and enveloped as usual by cold and darkness.
At dessert, when the hour for smoking arrives in our sarcophagus, Renaud, to whom I have given the floor, tells us that his squadron is encamped on the borders of a Chinese cemetery in Tien-Tsin, and that the soldiers of another European nation (I prefer not to say which) in the same vicinity spend their time ransacking the graves and taking from them the money which it is the custom to bury with the dead.
"To me, colonel" (I am colonel to him, as he is ignorant of the naval appellation of commandant, which, with us, goes with five gold stripes), "to me it does not seem right. Even though they are Chinese, we ought to leave their dead in peace. What disgusts me is that they cut their rations up on the planks of the coffins. And I say to them, 'Put it on the outside if you will, but not on the inside, which has touched the corpse.' But these savages, colonel, laugh at me."