As we expected, this last temple—possibly the oldest, certainly the most dilapidated—is only a repetition of the other two, save for an idol in the centre, which, instead of being seated and life-sized, is colossal and standing. The gold ceiling rises from about half the height of the statue into a cupola, also gilded, which forms a sort of box enclosing the upper part of the figure. To see the face one must go close to the altars and look up between the rigid flowers and the incense-burners. It then looks like a Titanic mummy in its case, with a downcast look that makes one nervous. But on looking steadily, it exercises a sort of spell; one is hypnotized and held by that smile so impartially bestowed upon all this entourage of dying splendor, gold, dust, cold, twilight, ruins, silence.
VIII
CONFUCIUS
There was still a half-hour of sunshine after we left the ghostly Lamas, so we went to pay a call on Confucius, who dwells in the same quarter,—the same necropolis, one might say,—in an abandonment equally depressing.
The big worm-eaten door slips off its hinges and falls down as we attempt to enter, and an owl who was asleep there takes fright and flies away. Behold us in a sort of mortuary wood, walking over the brown autumn grass.
A triumphal arch is the first thing we come across, built to pay homage to some great Chinese thinker. It is of a charming design, although very peculiar, with three little bell-towers of yellow enamel, which crown the whole, their curved roofs decorated with monsters at each one of the corners.
It stands there like some precious bibelot lost among the ruins. Its freshness is surprising where all else is so dilapidated. One realizes its great age from the archaic nature of its details; but it is made of such enduring materials that the wear and tear of centuries in this dry climate has not affected it. The base is white marble, the rest is of faience,—faience both yellow and green, with lotus leaves, clouds, and chimæras in bold relief.
Farther on is a large rotunda which gives evidence of extreme antiquity; this appears to be the color of dirt or ashes, and is surrounded by a moat where the lotus and the reeds are dying. This is a retreat where wise men may come to meditate upon the vanities of life; the object of the moat is to isolate it and make it more quiet.
It is reached by an arched bridge of marble, with railings that vaguely suggest a succession of animals' heads. Inside, it is deserted, abandoned, crumbling away, and the gold ceiling is full of birds' nests. A really magnificent desk is left, with an arm-chair and a table. It seems as though a kind of fine clay had been scattered by handfuls over everything; the ground is covered with it too, so that one's feet sink into it and one's steps are muffled. We soon discover that there is still a carpet underneath, and that it is really nothing but dust which has been accumulating for centuries,—the thick and ever-present dust which the Mongolian winds blow across Pekin.
After a short walk under the old trees we reach the temple itself, which is preceded by a court surrounded by tall marble pillars. This looks exactly like a cemetery, and yet there are no dead lying under these stele, which are there merely to glorify the memory of the departed. Philosophers who in bygone centuries made this region illustrious by their presence and by their dreams, profound thinkers, lost to us forever, have their names as well as some few of their most transcendent utterances, perpetuated on these stele.