The street is so wide and the houses so low that almost the whole of the twilight sky is visible above our heads; and so suddenly does the cold come on after sunset that in a moment we freeze.

The crowds are dense about the food-shops, and the air is fetid in the neighborhood of the butchers, where dog-meat and roasted grasshoppers are sold. But what good nature in all these people of the streets, who on the day after battle and bombardment permit me to pass without so much as an evil look! What could I do, with my borrowed "mafou" and my revolver, if my appearance did not happen to please them?

For a time after this we are alone in desolate, ruined quarters of the town. According to the position of the pale, setting sun, it seems to me that we are on the right track; but if my "mafou," who speaks nothing but Chinese, has not understood me, I shall be in a predicament.


The return journey in the cold seems interminable to me. At last, however, the artificial mountain of the imperial park is silhouetted in gray on the sky ahead of us, with the little faience kiosks and the twisted trees grouping themselves like scenes painted on lacquer. We reach one of the yellow enamelled gates of the blood-red wall surrounding the Imperial City, where two sentinels of the allied armies present arms. From here I know my way, I am at home; so I dismiss my guide and proceed alone to the Yellow City, from which at this hour no one is allowed to depart.

The Imperial, the Yellow, the Forbidden City, encircled by its own terrible walls in the very heart of great Pekin, with its Babylonian environment, is a park rather than a city, a wood of venerable trees,—sombre cypresses and cedars,—several leagues in circumference. Some ancient temples peep through the branches, and several modern palaces built according to the fancies of the Empress regent. This great forest, to which I return to-night as if it were my home, has at no former period of history been known to foreigners; even ambassadors have never passed its gates; until recently it has been absolutely inaccessible and profoundly unknown to Europeans.

This Yellow City surrounds and protects with its tranquil shadows the still more mysterious Violet City, the residence of the Son of Heaven, which occupies a commanding square in the centre of it, protected by moats and double ramparts.

What silence reigns here at this hour! What a lugubrious region it is! Death hovers over these paths where formerly princesses passed in their palanquins and empresses with their silk-robed followers. Now that the usual inhabitants have fled and Occidental barbarians have taken their places, one meets no one in the woods, unless it be an occasional patrol or a few soldiers of one nation or another, and only the sentinels' step is heard before palace or temple, or the cries of the crows and the barking of dogs about the dead.

I have to cross a region filled with trees, nothing but trees,—trees of a truly Chinese contour, whose aspect is in itself quite sufficient to give one the sharp realization of exile; the road goes on under the deep shadow of the branches that turn the twilight into night. Belated magpies are hopping about on the withered grass, and the crows, too, their croakings exaggerated by the cold and the silence. At the end of a quarter of an hour a corner of the Violet City appears, just at a turn of the road. She slowly reveals herself, silent, closed, like a colossal tomb. Her long, straight walls are lost in the confusion and obscurity of the distance. As I draw nearer to her the silence seems to be intensified, as though it grew as she broods over it.