The light is still fading upon the desolate ruins of Ypres, but how slowly to-day! That is because even at noon the light was scarcely stronger on this dull day of March; only at this hour a certain atmosphere, indefinite and sad, broods upon the distant landscape, indicating the approach of night.
They look instinctively at the ruins, these thousands of soldiers, taking their evening walk in such melancholy surroundings, but generally they remain at a distance, leaving the ruins to their magnificent isolation. However, here are three of them, Frenchmen, probably newcomers, who approach the ruins hesitatingly. They advance until they stand under the little arches of the tottering cathedral with a sober air, as if they were visiting tombs. After contemplating them at first in silence, one of them suddenly ejaculates a term of abuse (to whom it is addressed may be easily imagined!), doubtless the most insulting he can find in the French language, a word that I had not expected, which first makes me smile and then, the next moment, impresses me on the contrary as a valuable discovery.
"Oh those hooligans!"
Here the intonation is missing, for I am unable to reproduce it, but in truth the compliment, pronounced as he pronounced it, seems to me something new, worth adding to all the other epithets applied to Germans, which are always pitched in too low a key and moreover too refined; and he continues to repeat, indignant little soldier that he is, stamping with rage:
"Oh those hooligans among hooligans!"
At last the fall of night is upon us, the true night, which will put an end here to all signs of life. The crowd of soldiers gradually melts away along streets already dark, which, for obvious reasons, will not be lighted. In the distance the sound of the bugle summons them to their evening soup in houses or barracks, where they will fall asleep with no sense of security, certain of being awakened at any moment by shells, or by those great monsters that explode with a crash like thunder. Poor, brave children of France, wrapped in their bluish overcoats, none can foresee at what hour death will be hurled at them, from afar, blindly, through the misty darkness—for the most playful fancy presides over this bombardment; now it is an endless rain of fire, now only a single shell which comes and kills at haphazard. And patiently awaiting the rest of the great drama lie the ruins, enveloped in silence. Here and there a little timid light appears in some house still inhabited, where the windows are pasted over with paper to enable them to resist the shock of explosions close at hand, and where the air-holes of the cellars of refuge are protected by sandbags. Who would believe it? Stubborn people, people too old or too poor to flee, have remained at Ypres, and others even are beginning to return, with a kind of fatalistic resignation.
The cathedral and the great belfry project only their silhouettes against the sky, and these seem to have been congealed, gesturing with broken arms. As the night enfolds the world more completely in its thick mists, memory conjures up the mournful surroundings in which Ypres is now lost, deep plains unpeopled and soon plunged in darkness, roads broken up, impassable for fugitives, fields blotted out or mantled with snow, a network of trenches where our soldiers, alas! are suffering cold and discomfort, and so near, hardly a cannon-shot away, those other ditches, more grim, more sordid, where men of ineradicable savagery are watching, always ready to spring out in solid masses, uttering Red Indian war whoops, or to crawl sneakingly along to squirt liquid fire upon our soldiers.
But how the twilight has lengthened in these last few days! Without looking at the clock it is evident that the hour is late, and the mere fact of still being able to see conveys in spite of all a vague presage of April; it seems that the nightmare of winter is coming to an end, that the sun will reappear, the sun of deliverance, that softer breezes, as if nothing unusual were happening in the world, will bring back flowers and songs of birds to all these scenes of desolation, among all these thousands of graves of youth. There is yet another sign of spring, three or four little girls, who rush out into the deserted square in wild spirits, quite little girls, not more than six years old; they have escaped, fleet of foot, from the cellar in which they sleep, and they take hands and try to dance a round, as on an evening in May, to the tune of an old Flemish song. But another child, a big girl of ten, a person in authority, comes along and reduces them to silence, scolding them as if they had done something naughty, and drives them back to the underground dwellings, where, after they have said their prayers, lowly mothers will put them to bed.
Unspeakably sad seemed that childish round, tentatively danced there in solitude at the fall of a cold March night, in a square dominated by a phantom belfry, in a martyred city, in the midst of gloomy, inundated plains, all in darkness, and all beset with ambushes and mourning.
Since this chapter was written the bombardment has continued, and Ypres is now no more than a shapeless mass of calcined stones.