"Would you not imagine it a site in the Sahara?" says my guide. "When your Arab cavalry came here the illusion was complete."
It is true, for even in Africa the sands turn pale in the darkness, but this is a Sahara transported under the gloomy sky of a northern night, and it has assumed there too deep a melancholy.
In the villa we enter a warm, well-lighted room, which, with its red furnishings, introduces a note of gaiety, almost of comfort, into this quasi-solitude, battered by wintry squalls. And there is a pleasure, which at first transcends everything else—the physical pleasure of approaching a fireplace with a good blazing fire.
While waiting for the Queen I notice a long packing-case lying on two chairs; it is made of that fine, unequalled, white carpentry which immediately reminds me of Nagasaki, and on it are painted Japanese letters in columns. The officer's glance followed mine.
"That," he says, "is a magnificent ancient sabre which the Japanese have just sent to our King."
I, personally, had forgotten them, those distant allies of ours in the Farthest East. Yet it is true that they are on our side; how strange a thing! And even over there the woes of these two gracious sovereigns are universally known, and the Japanese desired to show their special sympathy by sending them a valuable present.
I think this charming officer was going to show me the sabre from Japan, but a lady-in-waiting appears, announcing Her Majesty, and he withdraws at once.
"Her Majesty is coming," says the lady-in-waiting.
The Queen, whom I have never yet seen, consecrated as it were by suffering, with what infinite reverence I await her coming, standing there in front of the fire while wind and snow continue to rage in the black night outside. Through which door will she enter? Doubtless by that door over there at the end of the room, on which my attention is involuntarily concentrated.
But no! A soft, rustling sound makes me turn my head towards the opposite side of the room, and from behind a screen of red silk which concealed another door the young Queen appears, so near to me that I have not room to make my court bow. My first impression, necessarily furtive as a flash of lightning, a mere visual impression, I might say a colourist's impression, is a dazzling little vision of blue—the blue of her gown, but more especially the blue of her eyes, which shine like two luminous stars. And then she has such an air of youth; she seems this evening twenty-four, and scarcely that. From the different portraits I had seen of Her Majesty, portraits so little faithful to life, I had gathered that she was very tall, with a profile almost too long, but on the contrary, she is of medium height, and her face is small, with exquisitely refined features—a face almost ethereal, so delicate that it almost vanishes, eclipsed by those marvellous, limpid eyes, like two pure turquoises, transparent to reveal the light within. Even a man unaware of her rank and of everything concerning her, her devotion to duty, the superlative dignity of her actions, her serene resignation, her admirable, simple charity, would say to himself at first sight: